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Drishyam 2: George Kutty and Family Are Back

(Featured Image: Actor, Mohanlal with Director, Jeethu Joseph)

George Kutty with his wife Rani and their two daughters, Anju and Anumol, bring in a new saga of fortitude as the sequel of the critically acclaimed Malayalam film, Drishyam started streaming worldwide on Amazon Prime Video from February 19th. 

Remade in other south Indian languages as well in Hindi, Sinhalese, and Chinese, Drishyam was a game-changer not only for Director, Jeethu Joseph, but for the entire cast led by Mohanlal and Meena and supported by Ansiba Hassan, Esther Anil, Asha Sharath, Kalabhavan Shajohn, and Siddique. Jeethu Joseph had no inkling while scripting Drishyam – the first part – that it would lead him to a sequel. Post Drishyam’s release and with people discussing and creating their stories for a sequel, the production house asked him to consider its sequel in 2015. Although Drishyam was a closed plot, Joseph decided to explore it.  

“It took me four years to write Drishyam 2,” Joseph tells me over phone from Kerala. 

Drishyam 2 trailer hints at a police investigation probing again into the case of the missing Varun. The question in our minds is – How will George Kutty protect his family again?

“My challenge lay in the characterization and to ensure a continuity of the story. I met Lal ettan (elder brother) with my final draft. He wanted some clarifications. We ironed out few issues. The idea was to write a good story and to make good cinema. We were not thinking of its business prospects.”

Drishyam 2 examines how life has changed for George Kutty and his family over the past ten years. How did the trauma of Drishyam affect them? How does society view them? 

Drishyam 2 was shot last year during Covid times with social restrictions in place. New characters have been introduced in the sequel. The multi-faceted actor-director Murali Gopi is playing a police officer.

Is it ok for George Kutty to continue lying to protect his family?

Joseph tells me, “We can talk about that after the release of Drishyam 2.”

Meet George Kutty’s Daughters

Actress, Ansiba Hassan

Ansiba Hassan: “I am excited since I have not been in cinema for the last four years. Drishyam 2 is a comeback for me. In the first part, Esther (who played Anumol) had a significant role and the story was pivoted around Anju. Seven years have elapsed since then. Today, Anju is in college. She is a mature young woman but she is torn by guilt for having committed a crime. She always dreads being caught and is battling depression. She avoids people and prefers to be with her family at home. Much as she wishes to laugh and enjoy life, the ghosts of the past restrain her from living in the present. She is unable to laugh to her heart’s content and is very sad. My challenge lay in bringing to the fore Anju’s remorse while appearing happy on the outside.” 

Actress, Esther Anil

Esther Anil: “Getting back to the sets was a good feeling after being indoors during the lockdown. It gave us hope in the industry. Anumol in Drishyam 2 is studying in class 12. And, this teenager is often in an argument with her mother. In part one, Anumol had much significance but not so in the sequel. Drishyam 2 is about the family and their bonding. Anju was affected by a situation in Drishyam and the family is living with past trauma. My role cannot be compared with that of Ansiba chechi (elder sister). I have as much space as in part one. In the sequel, the emotional connection of the family has been retained well.” 


Mythily Ramachandran is an independent journalist based in Chennai, India with over twenty years of reporting experience. Besides contributing to leading Indian and international publications including Gulf News (UAE), South China Morning Post, and Another Gaze (UK), she is a Rotten Tomatoes critic. Check out her blog – http://romancing-cinema.blogspot.com/ 

A Holidays Must Watch: Brand New Dawn

Putham Pudhu Kaalai (PPK), the Tamilian short story anthology, is the sine qua non of the 2020 emotional roller coaster.

“Memories of a brand new dawn” are five short films completed during the 21-day COVID-19 lockdown in March, in India.Five short stories by five accomplished filmmakers take us into the homes of people locked in the early days of the COVID pandemic in India. It was released on October 16, 2020, on Amazon Prime.

The stories are a lyrical peek into love, family, despair, and friendly shenanigans. To me, they bring back tender memories of Malgudi Days.

In my zoom interview with Rajiv Menon for India Currents (find it at the end of the article), I was hesitant to say the name out loud for the fear of mispronouncing it but ever since then, I have been happily recommending Putham Pudhu Kaalai to everyone! I love the “skirted” Tamil script, the dialogues, and the music!

Rajiv Menon said it reminded him of “film institute” days. All of them brought their inherent creative talent and expertise to stories of new beginnings, bruised relationships, and dreams with a buoyant playfulness.  

#1. Ilamai Idho Idho: Directed by Sudha Kongara with Jayaram as Rajiv Padmanabhan and Urvashi as Lakshmi Krishnan, is an effervescent champagne cocktail! How two quinquagenarians are transported to their teenage years with the chime of a doorbell is endearing! Like their squabbles over domestic chores over “spoons, dishes, and wet towels.” I wonder if Kalidas is developing Parkinson’s because he drops cups and saucers while offering tea to his girlfriend! Composer GV Prakash’s music of this short inspired by a Kamal Hasaan song is lilting! Will their kids approve of their rendezvous after the lockdown is the question.

#2. Avarum Naanum / Avalum Naanum: Directed by Gautham Menon with MS Bhaskar as“tatta” grandfather and Ritu Varma as “Kanna ” granddaughter. Kanna visits her estranged tatta, a nuclear physicist but is pleasantly surprised by him. I cried with the octogenarian in a checked shirt who can dice mangoes, fix routers, berate rude managers, and pine for his daughter’s melody! Art deco mirror, gramophone, family photos, and the Bodhi tree tie into the narrative. The flashback of two girls in their silk skirts holding sweets reincarnated childhood. I think of this and singBachpan ke Babuji the, acche acche babuji the..

#3. Coffee, Anyone?: Directed by Suhasini Mani Ratnam. On the eve of their mother’s seventy-fifth birthday, two daughters come home to a mother with a pontine stroke and a father is treating her at home!  Suhasini has opened a Pandora’s box of family dynamics, aging parents, fertility, and dyslexia. The mother reminds me of my mother with a “butter wouldn’t melt in her mouth”  but stronger in her resolve as a cup of potent filter coffee! The home with a mango tree, a wrought iron gate, and swarming feminine energy is familiar too! Squabbles, selfies, kumkum, birthday wishes at midnight will make us all sing Tu kitni acchi hai, tu kitni pyari, hai, bholi bhali hai. O ma, o ma…”

#4. Reunion: Written and directed by Rajiv Menon with a cast of Andrea Jeremiah, Leela Samson, and Sikkil Gurucharan is wonderful! Rajiv Menon was surprised that I had not watched the anthology but once he knew I was a physician, he shared the backstory that prompted him to write the script. Carnatic musician Sikkil Gurucharan is a doctor who after being exposed to a COVID-19 patient is quarantined with his mother, an elegant Leela Samson, and an old school friend Sadhana (Andrea). He discovers that she is a drug addict! The feng shui of the sloping red-tiled Kerala style home with black and white photographs of palm trees, temples, and fishing nets is beguiling. There is an echo of a popular song “Ooo la la…  by the director, and lyrical poetry reveals Rajiv Menon as an incurable romantic. The best poems are always those written to our childhood sweethearts. I want to wear a Kerala saree, drink deep from the fresh mint mojito, and dance on the blue-tiled courtyard! Rajiv Menon writes in English/Tamil but his dialogues are in Malayalam, his matribhasha.

As a physician, I give him full marks for taking cues from his own arthritic mother, Apollo hospital’s ICU is packed with patients suffering from alcohol withdrawal in lockdown, and doctors treating patients without proper PPE. Rajiv Menon got this right! Once a doctor- always a doctor at home or in the clinic! An unexpectedly tender love story of redemption and joy. I remembered “ Taare hain baraati, chandni hai ye barat

#5. Miracle: directed by Karthik Subbaraj with Bobby Simha as Devan K. Muthu Kumar as Michael is about an Indie filmmaker and two hoodlums who want to make quick money inspired by a spiritual “Baba” with a scripted message: Miracles do happen! This quixotic comedy of errors crescendos to a climax with rolls of crisp rupees rolling out from proverbial Sheikh Chilli’s imagination!  Who loses, who wins is the question? Karthik Subbaraj has certainly won my applause with an uncanny knack to conjure a hilarious tale with an iPhone with awesome night scenes! This last short is radically different and perhaps that makes it more memorable. The fact that I was able to narrate it to my grandson in India in one breath says a lot!  These “Do deewane shahar mein.., may not have found their biryani but they are content in eating puliyodharai and hoping to catch reruns of Mahabha…rat on a stolen laptop.

I have watched the PPK anthology on Amazon Prime thrice, to familiarize myself with Tamil words, music, and the ambiance of Chennai! I am indebted to the wonderful personal advice given by Rajiv Menon about making good stories! Putham Pudhu Kaalai is relatable like dishes created from a snake gourd-like pachadi, raita, curry and sambar, similar but deliciously different! This analogy does make me hungry! 


Monita Soni grew up in Mumbai, India, and works as a pathologist in Decatur Alabama. She is well known for her creative nonfiction and poetry pieces inspired by family, faith, food, home, and art. She has written two books: My Light Reflections and Flow through my Heart. She is a regular contributor to NPR’s Sundial Writers Corner.

Chhalaang: On the Unusual Topic of Physical Education

Amazon Prime Video released Chhalaang, starring Nushrat Bharucha & Rajkummar Rao, on Diwali as a part of the festive line up for the festival of lights. 

Nushrat Barucha told me that the movie is about taking a “leap of faith” and making choices that will change the physicality and trajectory of a Physical Training Instructor (PTI), played by Rajkummar Rao. What ensues is a light-hearted comedy with an unexpected love story…

Nushrat Barucha and Rajkummar Rao in movie, Chhalaang.Chhalang Movie Still with Nushrat Barucha and Rajkummar Rao
Nushrat Barucha and Rajkummar Rao in the movie, Chhalaang.

The music of this light-hearted comedy is enthralling! The inspiring title track “Le Chhalaang” written by Luv Ranjan and sung by Daler Mehndi is truly transformational and will be sung around the world! There are other rap numbers created by celebrity rappers like Yo Yo Honey Singh and Guru Randhawa, that have Punjabi folksy rhymes that are going viral! Barucha is a fan of “rapping” and quite adept at this genre herself. The petite actress did not hesitate for a split second before rapping the song for me (find it on the zoom interview below). The songs are catchy, and I am sure that they will become very popular with the millennials, boomers, generations x, z, and alpha! 

Tu taan saddi care ni karda

Time spare ni karda

Tu taan saddi care ni karda

Time spare ni karda

 

Ve main hi tere pichhe pichhe aauni aa

Main hi tainu phone milauni aan

Ve main hi tere pichhe pichhe aauni aa

The beat is catchy but I wonder why the song is still about a girl chasing a boy who pretends to be disinterested in her and not the other way around? Nushrat acknowledging my observation asked me to enjoy the song and promised me that my request would also be honored with another rap song!

Meanwhile, I can’t wait to see the movie and indulge in the onscreen chemistry between Baruchha and Rajkumar Rao. I hope Nushrat’s role is striking because I want to see strong female characters that motivate young girls to be optimistic and brave.

The actress reminisced about her school life and said that had she taken physical training seriously, she could have become an athlete. Childhood memories are the sweetest and time spent in the playground is wrapped in buttery light. While talking to her I remembered my PT teacher, a strict matron by the name of Mrs. Mani, whom we called “Money” while using a comical gesture of counting currency with her fingers.

This is an important topic for Indian education. Sports build motor skills, improve focus that in turn enhances academic life. Regular exercise relieves anxiety and develops confidence. PT improves body image and is vital for relationship and future goals. I am sure this engaging common thread will keep the dialogue alive once watching the movie. I see many couch conversations happening about narrow escapes from PT using doctor’s notes but most teachers had a trick up their sleeve for slackers. A welcome change for all of us as we enter the holiday season.


Monita Soni grew up in Mumbai, India, and works as a pathologist in Decatur Alabama. She is well known for her creative nonfiction and poetry pieces inspired by family, faith, food, home, and art. She has written two books: My Light Reflections and Flow through my Heart. She is a regular contributor to NPR’s Sundial Writers Corner.

IC Interviews Abhishek Bachchan on New Prime Show

As a prelease to Breathe: Into the Shadows on Amazon Prime, India Currents’ writer, Monita Soni, had the privilege of exclusively interviewing Abhishek Bachchan via Media House. The actor shared his personal insights about the series:

Monita Soni: Hi Abhishek, we are all eagerly awaiting your digital debut in Breathe: Into the Shadows. The trailer looks stunning and very edgy! Please tell us a little about this series?

Abhishek Bachchan: Thank you! Well, we are about to release an Amazon Prime original series which drops later tonight in India! It is the story of my character, Avinash Sabharwal, his wife Abha, and their young six-year-old daughter who sadly gets kidnapped. And the kidnapper, instead of money for ransom, asks and makes Avinash commit murder in order to save his daughter. So the basic theme is how far are you willing to go for your family and for your loved ones. It’s a wonderful, emotional story. Although it has been built as a psychological thriller, I like to think of it as a family drama. I really enjoyed playing this fantastic complex and nuanced role. I’m very anxious to know what people are going to think about it. 

MK: Tell me one thing, how did you prepare for this particular role, it is a very challenging role. You have to commit a murder to save your daughter’s life. How did you get into the skin of your character?

AB: Well, there was an extensive prep that went into this role. Because, what was really nice, Monitaji, is that as compared to film, in which we get 2-3 hours to tell our story and justify it, over here we get almost 12 hours (because there are 12 episodes). So you get that much more material that you get to work on and that is very exciting for me. This is the first time you have been given the liberty of time (as an actor).

MK: Did you have to change your physical look for the role?

AB: No, thankfully I didn’t. I had to get rid of my famous beard look that I have had. 

MK: Well that suits you! Do you think playing this role has changed you emotionally, or do you look at life a little differently now?

AB: Well, you know, like I told you, the basic theme of the show is such that it does beg you to ask certain questions of yourself. For example, how far would you go for your loved ones? It’s a very nice question to ask on face value, but it is very difficult to put in practice, that’s when the problem starts seeping in.

MK: I think the kind of bonds we share in India with our family/children are special and (this role) would put a lot of emphasis on that aspect when we see this streaming. I think it’s our roots and love which make us think in a particular manner.

AB: Yes. Very possible! And I will agree with you on that.

We have admired his talent in numerous Bollywood hits for the last 20 years and we get to see him once more in a very different role. I am partial to his light-hearted roles with his own unique, heart-warming, comedic timing. But after talking to him, I could not wait to binge-watch this series and see him perform in this distinctive genre.

The trailer of Breathe: Into the Shadows, has a Quentin Tarantino like feel and the series delivers cyclic, edgy, cinematography. There is a fragile backstory about family bonds and the meaning of love and nurture is emphasized. After binging, I have replayed the interview in my mind, and now am even more impressed by Abhishek’s deep interpretation of a complex and flawed character. I can see why having more time in filming this series helped with character development which can be seen through his facial expressions and mannerisms. Abhishek admitted to reading a lot of plays at a young age and this series pulls from theater as a nod to Hamlet’s revenge.

The script tackles a myriad of awkward human behaviors linked to developmental psychology. And as a physician, I like the interplay between characters and their unscripted awkwardness. Nithya Menen’s performance as a young mother whose child has been kidnapped for several months is heart-wrenching and Amit Sadh’s performance as a poker-faced police officer, Kabir Sawant, is noteworthy. I also liked Hrishikesh Joshi’s character, as Kamble with a ”b”! 

The last episode promises that the story is to be continued…To take slight liberty as a fan, I misquote: “Breathe is like money and I can’t wait to spend it!

Wishing Abhishek Bachchan a quick recovery from COVID and the entire team of Breathe: Into the Shadows a resounding success.

Monita Soni grew up in Mumbai, India, and works as a pathologist in Decatur Alabama. She is well known for her creative nonfiction and poetry pieces inspired by family, faith, food, home, and art. She has written two books: My Light Reflections and Flow through my Heart. She is a regular contributor to NPR’s Sundial Writers Corner.