Tag Archives: Prime

Coolie No. 1, Another 2020 Disappointment

I interviewed the poised and reticent Shikha Talsania in mid-December for Coolie No 1, starring Varun Dhawan and Sara Ali Khan in the lead. Normally I would have posted the review based on her comments but she did not reveal anything about the movie other than quoting  “it’s a refreshed version” and “ a family movie”.

So, I watched the movie on Christmas Day with my family. Although I had forgotten the scene by scene roll out of the 1995 blockbuster, the raving zest of Govinda, his side-splitting interactions with Kader Khan as Hoshiarchand. The credulous “Barbie-like’ mannerisms of Karisma Kapoor had left a mental imprint. Twenty-five years ago, I remember borrowing the VCD tape from a street vendor in Manhattan over a long holiday weekend, watching it with my friends and being flabbergasted by the song “Main to ladki ghuma raha tha...Tujhe mirchi lagi toh main kya karoon?” At the same time marveling as to how the lyrics-tune beat combo “Husn hai suhana ishq hai deewana had created a cult-like appeal.

As I watched the 2020 David Dhavan remake, I was catapulted back into the frenzied hip-hop of the roaring 90s! Apart from that, the new movie was unable to cast a spell. Varun Dhavan is a handsome and talented actor who has cast a spell in Badri Ki Dulhaniya and other films. Sara Ali Khan is glammed up (though costumes are not tasteful) but her acting skills are untapped. I wish David Dhavan would have reimagined the storyline after a quarter of a century! If he is thinking of vesting money and energy in remaking other Govinda movies with Varun, he must rethink it. 

There are a myriad of stories and current real-life issues to be explored and presented to the audience in commercially successful cinema. I hope to see Varun, Sara, Shikha, and other stars cast in original socio-economic-political narratives to entertain and enlighten the audiences. If the lure of “rags to riches” theme is too hypnotic to ignore then there are stories like that of Ambani, a son of a village school teacher, and Narendra Modi selling tea at Vadnagar railway station. Although the remake has a backstory, it could have been more creative! Bollywood must come to grips with the fact that the 2020 filmgoer finds it ludicrous to believe that a change of costume can conjure a completely different identity, whether that be of twin or not.

The story is as follows: Humiliated by a mercenary hotelier, Jeffrey Rozario (Paresh Rawal), matchmaker Jai Kishan (Jaaved Jaaferi) avenges himself by introducing a railway coolie Raju (Varun Dhawan) as Kunwar Raj Pratap. Raju is smitten by the photograph of Jeffrey’s daughter Sarah (Sara Ali Khan). Sarah gullibly believes Raju’s tall tales. It might have been more interesting to see the daughter Anju (Shikha Talsania) marry Raju’s friend Deepak (Sahil Vaid) rather than team up with a fictional twin of Raju. 

If the movie was made as an homage to the original, it falls short. If it was made to erase the original from our memory, it fails hopelessly. Govinda’s unexpected words, irrational antics, and outlandish costumes are unforgettable, as are his bona fide dance moves in those loose trousers! Govinda pulled off a con in Coolie No 1 by holding the audience spellbound but Varun Dhawan’s over-rehearsed expressions and mimicry failed to tickle the funny bone. Paresh Rawal’s limericks, or Rajpal Yadav and Javed Jaffrey’s pranks did not do the trick either. I feel that the entire cast was so much in awe of Govinda’s comedic high jinks and they lacked the oomph to overshadow the original Coolie No 1. It’s like comparing an original Indian soda to the same soda in a fancier bottle but with more sugar and less fizz! Although the songs will be good for zoom zumba the movie fails to dazzle! Coolie No 1(2020) is now streaming on Amazon Prime Video, Netflix, and Hotstar.

 


Monita Soni has one foot in Huntsville, Alabama, and the other in her birth home India. Writing is a contemplative practice for Monita Soni. Monita has published many poems, essays, and two books: My Light Reflections and Flow Through My Heart. You can hear her commentaries on Sundial Writers Corner WLRH 89.3FM.

Mirzapur Returns to Prime

Under the dark cloud of COVID, watching comedy has been my panacea. Bollywood veteran villains of our childhood in India: Pran, Prem Nath, Prem Chopra, Amjad Khan, and Amrish Puri ruled the silver screen. We disliked their wicked characters but we repeated their “catchphrases”: Prem nam hai mera, Prem Chopra! or Kitne aadmi the? I almost jumped out of my skin when someone yelled, Mogambo hush hua”! outside a roadside restaurant in Jacksonville, Florida!  That’s when I realized the ubiquitous appeal and life of good scripts and dialogues.

Divyenndu Sharma, in an interview with India Currents about Mirzapur Season 2, introduced the storyline with a banal hook: A story about a cute family in a sleepy little town. The seemingly informal players with colloquial names like Kaleen bhaiya, Munna bhaiya, and Babuji are a gangster family embroiled in drugs, guns, murders, and lawlessness. 

The young and energetic production team of Karan Anshuman, Puneet Krishna, and Gurmeet Singh have packed so much sensational masala in the first nine episodes of Mirzapur that the fans are raring to go at the second season. The theme of the first series is “greed” where Kaleen bhai the carpet king and his drug-dazed son Munna Bhaiya try to establish dominance in Mirzapur! It’s a modern-day take of the power struggle between “good versus evil”!  It’s a window into Indian hamlets and far-flung places where mayhem, rape, and murders are not punished because of the corrupt regional government. The poor people serve as a means of money for goons and vote banks in elections. The web series unfolds malevolent characters in mucky boroughs with the idea to entertain and open our eyes towards covert and overt misogyny. Bad elements are increasing in society. In democracies like India and America awareness and involvement in the selection of governments and a robust set of checks and balances is a must. 

Kulbhushan Kharbanda and Pankaj Tripathi flow like water into their roles as mafia men! I prefer Tripathi in his roles as a doting father (Bareilly ki Barfi and Gunjan Saxena) but he is versatile and violence sells! Divyenndu who has been waiting for a role like this is animated as Munna Bhaiya! In the first part, he is a bully. In Mirzapur 2 his agenda shifts from arrogance to revenge! Women actors portray layered persona with learning to acquire survival skills on the run! Mrs. Pandit (Sheeba Chaddha) in her long house-dresses and dupattas is convincingly intrepid. She can garner her husband’s affection with “mutter paneer” and put the “ kiranawalla” in his place with aplomb! Ramakant Pandit (Rajesh Tailang) as a righteous country lawyer is pitched against the gangster inferno. I am waiting for the plot twist for him to gain dominance but will he do it with the help of his “brawny” son Guddu Bhaiya (Ali Fazal)?

The female actors are not paragons of virtue. Beena as Kaleen bhai’s wife (Rasika Duggal) is a terrific understudy for Lady Macbeth. She talks with her eyes! Gajgamini Gupta(Shweta Tripathi) as Golu is a lady to watch juxtaposed against toxic men.

I enjoy the pure Hindi names in Mirzapur and the local dialect, it provides for comic relief to me. Research has shown that people watch gory cinema if the violence gives meaning to confront real life and I wonder about censorship in the Amazon series. Euphemistic pseudonyms of guns, opium, and bribes as Katta, barfi, and pan spin these characters into caricatures of themselves. I confess that I had to fast forward through Quentin Tarrantino like “trigger-happy” sequences but I was vested in the story because of cerebral interpretations. I can’t wrap my mind around it but nonetheless, it’s been an education, so I will watch Mirzapur Season 2. 


Monita Soni grew up in Mumbai, India, and works as a pathologist in Decatur Alabama. She is well known for her creative nonfiction and poetry pieces inspired by family, faith, food, home, and art. She has written two books: My Light Reflections and Flow through my Heart. She is a regular contributor to NPR’s Sundial Writers Corner.

Exclusive Zoom with Bandish Bandits

Bandish Bandits is a romantic drama series between two opposites:  Radhe (Ritwik Bhowmik) a musical prodigy from the Rathod Gharana of Jodhpur and Tamanna Sharma (Shreya Chaudhary), a young and beautiful rockstar.

Shreya fits the role to perfection because she is brimming with daredevil energy! Ritwik has a mischievous demeanor with sparkling eyes! Serendipity forces them to form a Rock band with an exciting name “ Bandish Bandits” which has so many connotations!  As they create exhilarating fusion music together, their pretend romance becomes a real thing! How lovely!  But will this love story hold up to family expectations or will destiny throw them a curveball? Set in the backdrop of picturesque Rajasthan steeped in ancient traditions and unique culture, the series is written and directed by the energetic young duo Anand Tiwari and Amrit Pal Singh Bindra and boasts a host of talented actors.

I really enjoyed chatting with Rajesh Tailang and Sheeba Chaddha. They talked about the process of selecting roles, being honest to their work, and letting the audience judge them on their merit. The actors’ commitment to acting and balancing their work on set with their personal life and hobbies is admirable. Both of them were very complimentary of the work ethic of their young costars and very impressed by their charming director, “ He likes to keep everyone happy while working together”. I could see that they all had a blast on set! I was intrigued about the roles they play but they skillfully kept that under the wraps and I think they were right!

The script of this ten-episode series is imbued in the exceptional music score handcrafted by the inimitable Shankar Ehsaan Loy! Be prepared to enter into a transcendental journey of love, adventure, and longing! Garaj Garaj Jugalbandi and Padharo Mhare Des are on my playlist now! I enjoyed hearing the backstory that just the preliminary practice session run of Raga Megh Malhar brought down torrential rain in the desert. That was helpful! I was heartened to hear that the actors were touched by the air, magic, and hospitality of Rajasthan. The desert never fails to cast a spell!

I am encouraged that this series aspires to showcase the cultural, aspirational, and musical diversity of the youth of our vast Indian subcontinent to the world. I have yet to converse with veteran actor Naseeruddin Shah in person but I kept hearing the same phrase repeated unanimously: “Naseer Sir is my guru and when he is on the set, everything changes for the better”!  I am more than certain that Naseeruddin’s role as a “Sangeet Samrat” will be rendered with the distinctive insight and finesse akin to Picasso. All in all, this is a delightfully curious narrative with a Bandish of stirring melodies! I can’t wait to binge-watch “Bandish Bandits”! I invite you all to tune in to the interviews and watch the show with us! 

The story is all about one exquisite thumri that twinkles in the heart of anyone who has ever experienced love!


Monita Soni grew up in Mumbai, India, and works as a pathologist in Decatur Alabama. She is well known for her creative nonfiction and poetry pieces inspired by family, faith, food, home, and art. She has written two books: My Light Reflections and Flow through my Heart. She is a regular contributor to NPR’s Sundial Writers Corner.

Gulabo Sitabo: So Good, I Watched It Twice

Before the movie was released my friends were curious about the name. But that curiosity is divulged in the opening scene with a street “Kathputli” show or an Indian Punch and Judy performance in the streets of Lucknow. This is a victorious performance by the veteran actor, Amitabh Bachchan, as a 78-year-old Mirza in his ragged teal colored cotton Kurta, a red satchel to carry things to sell, betel stained headcloth, a bent frame, and a limping gait. His myopic eyes bulge from a broken spectacle frame constantly in search of household items to swap for money. He sells all and sundry items from light bulbs, tin cans, furniture to antique chandeliers. His energy is vested in inheriting and selling the historic mansion for money. 

Ayushmann Khurrana is believable as Baankey Rastogi who runs a flour mill to sustain his family and pays no rent. His performance is fearless with a lisp and his ease of acting in front of Amitabh Bachchan is nothing minor! It’s sad to see him lose his girlfriend though…

There are wonderful dialogues between Bachchan and Khurrana that become even more comical if you understand a bit of Avadhi”

“Ghar mein nahi dane amma chali bhunane! Ab khao biryani garma garam.”

His response to any monetary transaction is “ Itna hi hai hamre pas…”

When he goes to buy a cheap shroud for his wife’s anticipated death he says. “ Koi sasta walla dikhana, Itne phool kya karne hain ghar thode hi sajana hai…Marne ke bad bhi haveli mein ghuse rahna…”

There are so many characters in the movie: renters, archeologists, paralegals, and builders who are in it for their own share of the proceeds from this dilapidated property! It makes you feel really worried about getting old. Amitabh has played an unforgettable character as Mirza! No one will be able to forget the scene when he sits down on the suitcase full of currency! That scene declares his true love! Money! 

But one look at Fatima Begum and her feisty demeanor portrayed effortlessly as in: “Arre bulb na chori hua nigodi jaidad chori ho gai ho…” This is certainly the most memorable performance by Farrukh Jafar who steals the Punch and Judy show without giving any inkling of her plan. I was so impressed by her natural acting in this film, I went back and watched her poignant scene in “Umrao Jaan” with Rekha and as Nawazuddin Siddiqui’s prescient grandmother in the movie “Photograph”. The fact that her husband encouraged her to study after marriage and act in films at a time when most women were home bound, is commendable.

Best movie during this COVID pandemic by far. I watched it twice back to back. Hats off to the cast and crew of Gulabo Sitabo! Well done Shoojit Sircar!

Monita Soni grew up in Mumbai, India, and works as a pathologist in Decatur Alabama. She is well known for her creative nonfiction and poetry pieces inspired by family, faith, food, home, and art. She has written two books: My Light Reflections and Flow through my Heart. She is a regular contributor to NPR’s Sundial Writers Corner.

Bollywood Blockbusters Straight to Your Screen

Although social distancing has brought our daily lives to a grinding halt, the latest update from Amazon Prime Video proves that the show must truly go on. It is heartening to know that amid the chilling outbreak of the coronavirus, Bollywood has persevered in its attempts to amuse and bring us together. These latest releases are a reminder of how critical online entertainment truly is during this pandemic. Hopefully, Shakuntala Devi and Gulaabo Sitabo will bring a necessary slice of positivity into your lives.  

To satiate your appetite for some B-town, Amazon Prime announced the premiere of Gulabo Sitabo, an Amitabh Bachchan and Ayushmann Khurrana collaboration. The two leads amuse audiences in an intricate game of cat-and-mouse, offset by the conflicting agendas of the supporting cast. 

Regarding the film, Mr. Bachchan said, “I was excited about my role since the first time Shoojit showed me the character’s look. It took me almost 3 hours each day to get into character with its different look. I had a wonderful time working with my very talented co-star Ayushmann Khurrana. Even though we are constantly bantering in the film, it has been a pleasure working with him for the first time. This family entertainer has the power to cut across geographic boundaries and we are pleased to bring Gulabo Sitabo to audiences.”

Amazon Prime also recently announced the premiere of the highly publicized Shakuntala Devi. The film will be available to audiences across the globe and is available on the Amazon Prime app on nearly every device. With the formidable Vidya Balan at the forefront, Anu Menon’s latest film certainly cannot go wrong. Vidya Balan intrigues audiences in her retelling of the life of Shakuntala Devi, India’s “human computer.”

Devi is one of the world’s most celebrated geniuses, bringing her talents to India, Hong Kong, and all over the globe. Not only was she recognized for her inexplicable mathematical prowess, but also because she was India’s first woman to publish a paper on homosexuality

When asked about her role, Balan said, “She was truly someone who embraced her individuality, had a strong feminist voice, and braved many a naysayer to reach the pinnacle of success. But what truly fascinates me is that you wouldn’t normally associate a fun person with math…and she completely turns that perception on its head.” Balan later added that Ms. Devi was  “one of the most inspiring women of this country,” and that she was “extremely excited” to bring such an extraordinary woman’s tale to life. 

Other Amazon Prime Movies direct-to-service slate:

Ponmagal Vandhal (Tamil) – May 29th

Gulabo Sitabo (Hindi) – June 12th

Penguin (Tamil and Telugu) – June 19th

Law (Kannada) – June 26th

French Biryani (Kannada) – July 24th

Shakuntala Devi (Hindi) – TBD

Sufiyum Sujatayum (Malayalam) – TBD

Kanchan Naik is a junior at The Quarry Lane School in Dublin, CA. Aside from being the youth editor of India Currents, she is the editor-in-chief of her school’s news-zine The Roar. She is also the Teen Poet Laureate of Pleasanton and uses her role to spread a love of poetry in her community.

Best Hindi Films of 2019 on Netflix and Prime

Article 15 (Netflix)

You can’t go wrong with Anubhav Sinha’s crime drama Article 15, with box office magnet Ayushmann Khurrana. City-bred and conscientious, Khurrana plays Ayan Ranjan, an Additional Superintendent of Police in Laalgaon, a small village, which operates eerily in an oppressive, caste-dominated political setup. Ayan faces resistance from Day 1 as he gets embroiled in the rape and disappearance of two Dalit girls and takes on the caste system trying to trace clues and solve the mystery. With a fantastic supporting cast and performances, Khurrana shines. Although grim and gritty, it’s also heartening and reaffirming. Keep a warm chai or a stiff drink within reach. Rating: 5 out of 5

Gully Boy (Prime)

Hell yes, Zoya Akhtar’s Gully Boy, which released February 14, soared sky high this year. A perfect Friday night or weekend watch for a kick of fun and energy. The movie pays an ode to real-life Indian street rappers Divine and Naezy and is filled with textured, crackling characters to the brim. Ranveer Singh‘s Murad, an aspiring street rapper from Dharavi, the slums of Mumbai, finds his professional voice after meeting a local rapper Shrikant aka MC Sher (Siddhant Chaturvedi). Street hustler Moeen (Vijay Varma), failing father Aftab (Vijay Raaz) hang on the sideline. Witness some wonderful and varied women create magic, Albina Dadarkar (Srishti Shrivastava), Razia Ahmed (Amruta Subhash) and Alia Bhatt‘s Safeena Firdausi. The writing, direction, and music shines bright. The angst and aspiration speak loud with a deft rhythm and foot-tapping emotions. Dive in and be dazzled. Rating: 5 out of 5

Section 375 (Prime)

Like it or loathe it, Section 375, a September 12 release, is one for the watch list. A filmmaker Rohan Khurrana (Rahul Bhatt) is arrested when a costume assistant Anjali Dangle (Meera Chopra) accuses him of rape. The movie plays out in a courtroom, setting the stage for Tarun Saluja (Akshaye Khanna) to step in and defend the accused while Hiral Gandhi (Richa Chaddha) fights for the survivor. There are compelling arguments and pertinent legal information. Both points of view are represented well until the final tilt and twist, which divides the audience. Talks about law vs justice appear futile when one thinks about the responsibility of the makers towards a society that is unfair to a majority of women. Does presenting the oppressed gender as oppressor work for or against the rape problem? You decide. Rating: 4 out of 5

Badla (Netflix)

A perfect movie to watch on a day when you don’t know what to do. Amitabh Bachchan and Taapsee Pannu face off yet again in Badla, which released on March 8. They play Naina Sethi and Badal Gupta. She is a sharp businesswoman and he is an effective defense attorney. She faces a murder charge and narrates her side of the story, he tries to find loopholes so that he can defend her in court. The victims are her secret lover, Arjun (Tony Luke), and a stranger Sunny (Antonio Aakeel) whose mother is Rani Kaur (Amrita Singh). The treatment is like a chess game, but predictable. The ending is too convenient, but the performances and drama keep the narrative on point, making it a compelling view. Rating: 3.5 out of 5

Manikarnika (Prime)

Take a ride into herstory with Manikarnika which caused much controversy when it was released January 25, it’s fiercely outspoken leading actor Kangana Ranaut had a lot to say off camera about her decision to co-direct the movie. Nevertheless, Ranaut’s on-camera performance is glorious as she pays homage to Rani Lakshmibai from the first frame to the blazing end comparable to Nargis in Mother India. The movie methodically unravels the mardaani perception by focusing on the woman within and steers clear of ostentatious drama and emotion, striking a fine balance between fiction and facts and retaining Rani Laxmibai’s identity as well as the fervor of the freedom movement. The narrative is simple and stays with her journey. It’s a winner. Rating: 5 out of 5

Hamida Parkar is a freelance journalist and founder-editor of cinemaspotter.com. She writes on cinema, culture, women, and social equity.


This article was originally published on November 23, 2019 and was edited by Culture and Media Editor, Geetika Pathania Jain.

 

Social Distancing With Vintage Hindi Movies

It’s easy to burn through all the new shows and movies on Amazon Prime and Netflix when you’re quarantined at home. Bet you didn’t think to go back a few decades and find films that are reminiscent of your childhood. Here is a list of vintage Hindi films to watch after you’re done working from home, of course!

Kaala Patthar (1979) Prime

Before Yash Chopra went rogue with romance in the 80s, with the exception of Mashaal (1984), he belted out all-round, thoughtful dramas with a social tinge such as Deewaar (1975), Kabhie Kabhie (1976) and Trishul (1978). They were all multi-starrers, Amitabh Bachchan and Shashi Kapoor were common stars in all of these. Chopta finished off the decade with the rough cut diamond Kaala Patthar, inspired by Chasnala mining disaster. Shatrughan Sinha played to the gallery with a crackling performance. Raakhee, Neetu Singh, Parveen Babi and Poonam Dhillon had limited presence. It had a taut screenplay by hit writer-duo Salim-Javed however it had an average run at the box office. The movie is the full package though, it never misses a beat. 

Gol Maal (1979) Netflix Prime

This Hrishikesh Mukherjee classic is double trouble and multiple shots of fun for all moods, times and tides. Just give in to the craziness of the world of Gol Maal where Ramprasad/ Laxmanprasad (Amol Palekar in his elements) fools his boss Bhavani Shankar (Utpal Dutt, outstanding) for a live hockey match and is caught in a web of lies to cover up his first one. Both  actors won Filmfare Awards (Best Actor and Best Comedian). Dina Pathak shines as the fake mother while Bindiya Goswami charms as the actor-girlfriend. Those were simple times when Mukherjee could easily swing walk-in guest appearances from Amitabh Bachchan, Rekha, Hema Malini, Zeenat Aman and Lata Mangeshkar. Definitely a winner!

Doosara Aadmi (1977) Prime

Yash Chopra produced Doosara Aadmi for his assistant director Ramesh Talwar, who directed his independent debut. It comes with some glaring gender-biased morality flaws but is still a refreshing take on the complex nature of frayed relationships before marriage, after marriage, during romance and in offbeat quieter friendships. Raakhee plays reclusive Nisha, an advertising professional who falls for Karan Saxena (Rishi Kapoor) as he reminds her of her late boyfriend, Shashi Saigal (Shashi Kapoor). However, Karan is newly married to Timsy (Neetu Singh) and Nisha has a close friend Bhisham who loves her. It is laced with stunning, blockbuster music by Rajesh Roshan, sung by Lata Mangeshkar, Kishore Kumar and Mohammed Rafi. Sample the myriad moods of love with Chal Kahin Door Nikal Jayein and  Aao Manayen Jashn-E-Mohabbat, Jaan Meri Rooth Gayi, Nazron Se Kah Do and Ankhon Mein, Kajal Hai. It’s worth a watch or two.

Kabhi Kabhie (1976) Prime

Kabhi Kabhie tops my list of the Yash Chopra romance. It covers all seasons of love in its full glory. Amitabh Bachchan’s Amit Malhotra plays a poet to Raakhee’s pristine beauty as Pooja Khanna. Their love remains unrequited as parental love leads them to arranged marriages. Pooja marries the boisterous Vijay (Shashi Kapoor), a man with a conscience and ability to question his own flaws. In an exact opposite scenario is the quiet marriage of Amit and Anju (Waheeda Rehman). In a twist of fate, the hopeful love of the younger couple, Vicky (Rishi Kapoor) and Pinky (Neetu Singh) brings the two older pairs together. It has the usual elements of romance, drama and entertainment along with poetry, poignance and humour. The performances and music are cherry on top. Khayyam and Sahir Ludhianwi won Filmfare awards for Best Music and Lyrics. Pyaar Kar Liya To Kya remains my favourite capture of the Rishi-Neetu romance. You can’t help but shed a tear when Pooja sings Kabhi Kabhie on her wedding night even as Vijay delicately removes her wedding jewellery. I do wonder about that song though, the definition of consent has walked a considerable distance since.

Chupke Chupke (1975) Netflix Prime

For those feeling trumped and beaten, there is always a fun movie around the corner to watch. Hrishikesh Mukherjee recycled Bengali fare Chhadmabeshi to create Chupke Chupke, an all-time classic comedy for Hindi cinema. Newly married couple Sulekha Chaturvedi (Sharmila Tagore) and Parimal Tripathi (Dharmendra) fool their family, Raghavendra Sharma (Om Prakash) and Sumitra Sharma (Usha Kiron), into believing they are “not married”. Joining the fun of the scheming couple are bumbling Professor Sukumar Sinha (Amitabh Bachchan) and sweet Vasudha Kumar (Jaya Bachchan), navigating their own new romance, and Lata Kumar Srivastav (Lily Chakravarty), Prashant Kumar Srivastav (Asrani) and Haripad Chaturvedi (David). The lyrics and music by Anand Bakshi and S. D. Burman fit in perfectly. Ab Ke Sajan Saawan Mein ticks all boxes of situation, performances, music, lyrics and singing. Sharmila Tagore is devilishly divine. So is the movie. 

Abhimaan (1973) Prime

Hrishikesh Mukherjee directed this compelling take on professional rivalry between a singer couple, Subir (Amitabh Bachchan), professionally successful, and Uma (Jaya Bhaduri), a newly born star. Along the way, his career dives as Uma soars, becoming more successful, throwing Subir into a jealous despair and straining their marriage. A definitive masterpiece, in terms of its subject and ensemble of mature performances. And of course, the terrific music which blended beautifully into the movie, by Sachin Dev Burman and Majrooh Sultanpuri’s lyrics

Namak Haraam (1973) Prime

While Anand (1971, also on Prime) is definitely the better known tragi-classic starring Amitabh Bachchan and Rajesh Khanna, I thought Namak Haraam was more layered and compelling as a subject. Two warring friends are caught amid rising unions of Bombay‘s textile mills and inflation in the early 1970s. Ironically, the two superstars were at opposite ends of their fates and journeys, Khanna handed the success baton to Bachchan unknowingly with this movie. Fresh from the success of Zanjeer, Amitabh had sealed the deal with the audience and together the stars made the 5th highest grossing film of 1973. Khanna’s performance was not in question at all, he excelled as loyal friend Somu (Rajesh Khanna) who agrees to help out Vicky (Amitabh Bachchan) and then realises he is on the wrong side of his own ideals after closely experiencing the plight of factory workers. RD Burman’s music was right on note with Diye Jalte Hai, Nadiya Se Dariya and Main Shayar Badnaam and lyrics by Anand Bakshi.

Seeta Aur Geeta (1972) Prime

Salim-Javed’s feminist take on double roles, inspired by Ram Aur Shyam, resulted in Seeta Aur Geeta, Ramesh Sippy’s second directorial venture. Hema Malini landed the role quite by chance after Mumtaz said no. She was a dynamite and an absolute hoot, winning the Filmfare Award for Best Actress that year. A pair of identical twins (played by Hema Malini) lose their parents at birth and are also separated, they are raised by different sets of people and have distinct personalities. When they swap places, fun and madness ensues. For once, both the heroines got the centre stage to do things as she pleased while the men indulged and supported them from the sidelines. Sanjeev Kumar matched Dharmendra, dimple to dimple, charm on charm, both looked dapper, adding their candid take to the comic explosion. 

Hamida Parkar is a freelance journalist and founder-editor of cinemaspotter.com. She writes on cinema, culture, women and social equity.