Before the movie was released my friends were curious about the name. But that curiosity is divulged in the opening scene with a street “Kathputli” show or an Indian Punch and Judy performance in the streets of Lucknow. This is a victorious performance by the veteran actor, Amitabh Bachchan, as a 78-year-old Mirza in his ragged teal colored cotton Kurta, a red satchel to carry things to sell, betel stained headcloth, a bent frame, and a limping gait. His myopic eyes bulge from a broken spectacle frame constantly in search of household items to swap for money. He sells all and sundry items from light bulbs, tin cans, furniture to antique chandeliers. His energy is vested in inheriting and selling the historic mansion for money.
Ayushmann Khurrana is believable as Baankey Rastogi who runs a flour mill to sustain his family and pays no rent. His performance is fearless with a lisp and his ease of acting in front of Amitabh Bachchan is nothing minor! It’s sad to see him lose his girlfriend though…
There are wonderful dialogues between Bachchan and Khurrana that become even more comical if you understand a bit of Avadhi”
“Ghar mein nahi dane amma chali bhunane! Ab khao biryani garma garam.”
His response to any monetary transaction is “ Itna hi hai hamre pas…”
When he goes to buy a cheap shroud for his wife’s anticipated death he says. “ Koi sasta walla dikhana, Itne phool kya karne hain ghar thode hi sajana hai…Marne ke bad bhi haveli mein ghuse rahna…”
There are so many characters in the movie: renters, archeologists, paralegals, and builders who are in it for their own share of the proceeds from this dilapidated property! It makes you feel really worried about getting old. Amitabh has played an unforgettable character as Mirza! No one will be able to forget the scene when he sits down on the suitcase full of currency! That scene declares his true love! Money!
But one look at Fatima Begum and her feisty demeanor portrayed effortlessly as in: “Arre bulb na chori hua nigodi jaidad chori ho gai ho…” This is certainly the most memorable performance by Farrukh Jafar who steals the Punch and Judy show without giving any inkling of her plan. I was so impressed by her natural acting in this film, I went back and watched her poignant scene in “Umrao Jaan” with Rekha and as Nawazuddin Siddiqui’s prescient grandmother in the movie “Photograph”. The fact that her husband encouraged her to study after marriage and act in films at a time when most women were home bound, is commendable.
Monita Soni grew up in Mumbai, India, and works as a pathologist in Decatur Alabama. She is well known for her creative nonfiction and poetry pieces inspired by family, faith, food, home, and art. She has written two books: My Light Reflections and Flow through my Heart. She is a regular contributor to NPR’s Sundial Writers Corner.