India Currents gave me a voice in days I was very lost. Having my articles selected for publishing was very validating – Shailaja Dixit, Executive Director, Narika, Fremont
At India Currents, we believe that the most important news stories leave a lasting impact and also elevate local and regional issues to a national platform.
We’re pulling back the curtain on one such piece, Will My Culture Survive the Pandemic, by conducting a Q&A with the writer and IC Assistant Editor, Srishti Prabha.
VK: How did this story come about?
SP: India Currents is fortunate to collaborate with local, diverse, community organizations. One such organization is SF-based nonprofit, Ethnic Media Services, which aims to inform minority media on issues relevant to them. At one of their media briefings, the topic discussed was Arts and Culture on Life Support Because of COVID-19 and panelists relayed their personal experiences, as artists impacted by the pandemic. I began to reflect on my own connection with my culture and art. Despite not relying on the arts as a source of income, I would be devoid of my identity without art. That is how I began to frame my article. Indians in America grasp at sources for identity and performing arts are the magical bridge that can teleport us to our motherland.
VK: What was the most surprising discovery you made while reporting it?
SP: The performing arts were the first industry to shut down as a response to COVID and will be the last to reopen. This sounds intuitive and may not be surprising for people to hear, but the sheer breadth of what that means – the economic loss, individuals with no foreseeable income, and possibly, the erasure of culture – is something that wasn’t being addressed in mainstream media. Subsequently, it wasn’t where resources were being allocated. Since the Great Depression, federal funding hasn’t been given to the Arts. I became fixated on the potential loss of minority arts.
VK: What was the message of your article?
SP: My hope was to reinvigorate interest in minority-run cultural arts, even in those that meander away from the South Asian culture. My article had a three-fold purpose: first, to shed light on South Asian arts and artists that were undergoing a strenuous time; second, to have the reader actualize their relationship with the arts and its connection to cultural identity; and third, I wanted the article to be a poignant reminder for those that take interest in the arts, to sustain it.
VK: Why do you think this article resonated with readers?
SP: One can never be sure of what resonates with a reader, but I write from a place of empathy and advocacy for culture and minority voices. I can only speak to my own experience, as a first-generation Indian American, yet I find cross-cultural narratives on identity humanizes what people consider an “other”. As Americans, we benefit from exposure to multiculturalism and can create inclusive spaces. India Currents facilitates such discourse. I write for the readers – I write for myself. You are all on the journey with me, of self-exploration and pandemic pursuits.
Reporters like Srishti Prabha work hard on stories like these in order to present the complete picture for our readers. It’s the kind of in-depth reporting that you’d be hard-pressed to find anywhere else—the kind that takes time and money to produce.
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Vandana Kumar has been the Editor for India Currents and is serving as the Publisher.