Trying to create a space in the United States, Indian Americans rely heavily on the Arts to remain connected to their roots. Instead of soccer practice and baseball lessons, the minivan drives kids to Kathak (Indian Classical Dance) class or Tabla (Indian percussion/drums) lessons. What our parents understood, that took me till my adult years to grasp, was that culture was identity. And we would only be comfortable in our skin, in alien territory, if we could see the beauty of who we inherently were.
As a young brown girl, I found a sense of camaraderie and belonging with my peers through the Classical Arts. Some learned Bharatanatyam dance and some took Kathak. Some learned to play the Tabla and some, the Sitar. Some took Carnatic Classical Music and some took Hindustani Classical Music. But all of these Arts drove one point home – no matter the geographic location or style of the Art, we were deeply connected to our culture. At times when I was ostracized for that same thing – being too Indian – I took solace in what I knew to be true. I am who I am and there was no reason to resent something so pure. So unifying. I continue to cherish it.
A lifelong Kathak dancer and learner, I saw the strain the Arts went through when my classes at the Chitresh Das Institute went online due to the shelter in place orders. Many students dropped off, our teachers struggled to teach online, and our performances were canceled. I felt myself become uninspired and depressed.
But Art cannot be stopped. Art keeps pushing along like the little engine that could, to give meaning to that which is inexplicable. One Bharatanatyam teacher found purpose in embracing the messiness of online teaching and musicians like Sunny Jain began putting their music on Youtube. IndianRaga and Kalanidhi Dance collaborated during the pandemic to remind and rejuvenate classical artists through their Why I Dance campaign. However, an artist’s career comes to a halt when spaces to perform are limited and they are faced with the reality of a declining income.
The artistic community, many working as freelancers and independent contractors, requires life support. At the Ethnic Media Services briefing on September 11, 2020, LA Based Actor, Kristina Wong told us of the moment that her livelihood came into question. Her one-woman satire, Kristina Wong for Public Office, that she had spent three years researching and running a real election in preparation for, was running on the college/university circuit when the pandemic hit. Colleges and university campuses made the decision to go fully online, as to mitigate the pandemic, and Wong was stuck scrambling to find alternatives to cancelation.
“I’m witnessing a lot of artists just leave Los Angeles. Some are working for the census. Some are just scrambling, ” she noted, emphasizing that her ability to adapt to the online format was a unique luxury and that she still wouldn’t be able to recoup the losses of canceled performances.
Kristin Sakoda, Actor and Executive Director of the LA Arts Commission witnessed the impact of COVID on the Arts. It was one of the first sectors to close and will be one of the last to reopen. 2.7 million jobs have been lost and a $150 billion impact on the creative industry. As a grant distributor, Sakoda mentioned $20 million in losses for the nonprofits sustaining local arts.
Appreciation of the arts is crucial in inconsistent, unclear times. Art gives context, an escape, a safe space to feel uncertain, and to empathize with others.
Minority arts are quickly disappearing. Jose Luis Valenzuela, a UCLA and community college theater professor, met with artistic directors who cater to communities of color and were worried about the survival of their companies. They are the few sources for access to the arts for minority populations. Representation matters and when that diminishes, so do the voices.
Graphic designer and Muralist, Roberto Pozos of Imperial Valley resonates with this message. Living in a space that has been a hotspot for COVID related death, Pozos wants to commemorate the suffering and lift the spirits of those around him. None of this can happen without funding.
We must push for federal grant funding! Email, call, snail mail your Congresspeople. The last time federal tax dollars were put towards the arts was during the Great Depression and the time has come again to make our mark on democracy and preserve culture.
I think about what I would do without Kathak. Kathak is not just a form of Indian Classical Dance. Kathak is the best parts of me. Kathak accepts me and grounds me to the reality I am in. Kathak reminds me to forgive myself and others. Kathak is a guiding force, teaching morality and mythology. Kathak is music. Kathak is discipline and learned knowledge. Kathak is Indian history. Kathak is me.
Srishti Prabha is the Assistant Editor at India Currents and has worked in low income/affordable housing as an advocate for children, women, and people of color. She is passionate about diversifying spaces, preserving culture, and removing barriers to equity.
This post has been updated.