Before the movie was released my friends were curious about the name. But that curiosity is divulged in the opening scene with a street “Kathputli” show or an Indian Punch and Judy performance in the streets of Lucknow. This is a victorious performance by the veteran actor, Amitabh Bachchan, as a 78-year-old Mirza in his ragged teal colored cotton Kurta, a red satchel to carry things to sell, betel stained headcloth, a bent frame, and a limping gait. His myopic eyes bulge from a broken spectacle frame constantly in search of household items to swap for money. He sells all and sundry items from light bulbs, tin cans, furniture to antique chandeliers. His energy is vested in inheriting and selling the historic mansion for money.
Ayushmann Khurrana is believable as Baankey Rastogi who runs a flour mill to sustain his family and pays no rent. His performance is fearless with a lisp and his ease of acting in front of Amitabh Bachchan is nothing minor! It’s sad to see him lose his girlfriend though…
There are wonderful dialogues between Bachchan and Khurrana that become even more comical if you understand a bit of Avadhi”
“Ghar mein nahi dane amma chali bhunane! Ab khao biryani garma garam.”
His response to any monetary transaction is “ Itna hi hai hamre pas…”
When he goes to buy a cheap shroud for his wife’s anticipated death he says. “ Koi sasta walla dikhana, Itne phool kya karne hain ghar thode hi sajana hai…Marne ke bad bhi haveli mein ghuse rahna…”
There are so many characters in the movie: renters, archeologists, paralegals, and builders who are in it for their own share of the proceeds from this dilapidated property! It makes you feel really worried about getting old. Amitabh has played an unforgettable character as Mirza! No one will be able to forget the scene when he sits down on the suitcase full of currency! That scene declares his true love! Money!
But one look at Fatima Begum and her feisty demeanor portrayed effortlessly as in: “Arre bulb na chori hua nigodi jaidad chori ho gai ho…” This is certainly the most memorable performance by Farrukh Jafar who steals the Punch and Judy show without giving any inkling of her plan. I was so impressed by her natural acting in this film, I went back and watched her poignant scene in “Umrao Jaan” with Rekha and as Nawazuddin Siddiqui’s prescient grandmother in the movie “Photograph”. The fact that her husband encouraged her to study after marriage and act in films at a time when most women were home bound, is commendable.
Best movie during this COVID pandemic by far. I watched it twice back to back. Hats off to the cast and crew of Gulabo Sitabo! Well done Shoojit Sircar!
Monita Soni grew up in Mumbai, India, and works as a pathologist in Decatur Alabama. She is well known for her creative nonfiction and poetry pieces inspired by family, faith, food, home, and art. She has written two books: My Light Reflections and Flow through my Heart. She is a regular contributor to NPR’s Sundial Writers Corner.
Although social distancing has brought our daily lives to a grinding halt, the latest update from Amazon Prime Video proves that the show must truly go on. It is heartening to know that amid the chilling outbreak of the coronavirus, Bollywood has persevered in its attempts to amuse and bring us together. These latest releases are a reminder of how critical online entertainment truly is during this pandemic. Hopefully, Shakuntala Devi and Gulaabo Sitabowill bring a necessary slice of positivity into your lives.
To satiate your appetite for some B-town, Amazon Prime announced the premiere of Gulabo Sitabo, an Amitabh Bachchan and Ayushmann Khurrana collaboration. The two leads amuse audiences in an intricate game of cat-and-mouse, offset by the conflicting agendas of the supporting cast.
Regarding the film, Mr. Bachchan said, “I was excited about my role since the first time Shoojit showed me the character’s look. It took me almost 3 hours each day to get into character with its different look. I had a wonderful time working with my very talented co-star Ayushmann Khurrana. Even though we are constantly bantering in the film, it has been a pleasure working with him for the first time. This family entertainer has the power to cut across geographic boundaries and we are pleased to bring Gulabo Sitabo to audiences.”
Amazon Prime also recently announced the premiere of the highly publicized Shakuntala Devi. The film will be available to audiences across the globe and is available on the Amazon Prime app on nearly every device. With the formidable Vidya Balan at the forefront, Anu Menon’s latest film certainly cannot go wrong. Vidya Balan intrigues audiences in her retelling of the life of Shakuntala Devi, India’s “human computer.”
Devi is one of the world’s most celebrated geniuses, bringing her talents to India, Hong Kong, and all over the globe. Not only was she recognized for her inexplicable mathematical prowess, but also because she was India’s first woman to publish a paper on homosexuality.
When asked about her role, Balan said, “She was truly someone who embraced her individuality, had a strong feminist voice, and braved many a naysayer to reach the pinnacle of success. But what truly fascinates me is that you wouldn’t normally associate a fun person with math…and she completely turns that perception on its head.” Balan later added that Ms. Devi was “one of the most inspiring women of this country,” and that she was “extremely excited” to bring such an extraordinary woman’s tale to life.
Other Amazon Prime Movies direct-to-service slate:
Kanchan Naik is a junior at The Quarry Lane School in Dublin, CA. Aside from being the youth editor of India Currents, she is the editor-in-chief of her school’s news-zine The Roar. She is also the Teen Poet Laureate of Pleasanton and uses her role to spread a love of poetry in her community.
As the isolation period extends, feast on these delightful new shows on streaming which range from small-town slicks to big city woes.
Panchayat, Amazon Prime Video
In Prime drama Panchayat,director Deepak Kumar Mishra and writer Chandan Kumar create the perfect isolation watch, transporting us to the rural Indian world of Phulera in Uttar Pradesh. Produced by TVF, the comedy-drama follows an average engineering graduate Abhishek (Jitendra Kumar) through his reluctant journey as secretary of a Panchayat office after he misses the popular CAT exam bus. On arrival, he encounters Vikas (Chandan Roy), an office boy, Upapradhan Prahlad Pandey (Faisal Malik) and long-serving Pradhan Brij Bhushan Dubey (Raghuvir Yadav). Although he is currently fronting the office for wife Manju Devi (Neena Gupta), elected on paper (under nari quota), so he could still perform his duties. The quirky innocence of small-town characters wrapped up in simple dilemmas shine through all eight episodes even as the seemingly slick city boy tries to make his presence felt. With some fine performances, heartwarming situations and slow-cooked old charm, you cannot go wrong choosing to binge on this one.
Jamtara – Sabka Number Ayega,Netflix
Jamtara – Sabka Number Ayegasucks you right in with poor young-bloods determined to find their power spot in the world. Writers Trishant Srivastava, Nishank Verma, and director Soumendra Padhi keep it raw, real and intense throughout with some thrilling and chilling moments to keep you hooked. School dropouts, reckless and cut-throat, the unemployed youth of Jamtara (Jharkhand) want to make quick cash which will lead them to a successful future. Leading the pack is Sunny Mondal (Sparsh Shrivastav) who runs a money-spinning phishing scam with older cousin Rocky (Anshuman Pushkar) aided by school friends. Sunny’s partner in crime is Gudiya (Monika Panwar), ambitious with her own agenda. They are the wannabe power couple and run coaching classes together. Standing in the way of their dream and the whole racket, for different reasons, are local corrupt politician Brajesh Bhan (Amit Sial) and Dolly Sahu (Aksha Pardasany), Superintendent of Police. If you can swallow the liberally sprinkled but necessary cuss words, the show is a winner. It depicts a world very much rooted in power and its layered dynamics, depending on which side you are on.
Afsos,Amazon Prime Video
“My life story is so poorly written that I feel like I’ve written it myself.” Failed writer, lover, sibling and son Nakul (Gulshan Devaiah) has only one goal in life – he wants to end it in Afsos. After failing to go through with the act 11 times, he hires a committed assassin Upadhyay (Heeba Shah) to finish the job. After assigning the task, his luck changes dramatically, and Nakul changes his mind. The only hurdle is Upadhyay, who doesn’t like unfinished business. A dark comedy that is wicked and funny. The show’s characters are superbly enacted, irrespective of their length, even though they find themselves in some irreverent and unbelievable situations finely crafted by writers Anirban Dasgupta and Dibya Chatterjee. The only discomforting scene was when his therapist, Shloka (Anjali Patil) hands Nakul a razor knife and provokes him to kill himself. Nevertheless, director Anubhuti Kashyap balances the bustling plot with slick direction and solid attention to detail, keeping it sane, grounded and palatable.
If you are a Karishma Kapoor fan, you will be delighted by her foray into the digital TV world with Mentalhood, a TV show which explores the vagaries of motherhood, female solidarity and modern issues such as bullying, domestic violence, infidelity, homosexuality, and a mother’s guilt. ALTBalaji attempts to woo the family audience with a cleverly adapted Indian version of HBO show Big Little Lieswhich connects five mothers, Meira (Karisma), Anuja (Sandhya Mridul), Namrata (Shilpa Shukla), Diksha (Shruti Seth) and Priti (Tillotama Shome), who share lives as their children attend the same school. Director Karishma Kohli keeps the tone light, sensitive, and feminine. As a show, it doesn’t reach the high level one would expect despite the taboo topics it explores but nevertheless entertains and conveys some important messages in the process. With its troop of crackling actors and Kapoor’s fine presence, it’s definitely worth a watch.
She suffers from an age old problem: He. A bunch of men write and direct a female story about sexual awakening and do a huge disservice to an important topic. Producer Imtiaz Ali leads this venture, co-writing with screenwriter Divya Johri, jointly directed by Arif Ali and Avinash Das of Anarkali of Arrah fame.Bhumi Pardesi (Aaditi Pohankar), a junior police officer is chosen by Narcotics Bureau officer Jason Fernandez (Vishwas Kini) to play a prostitute in a bid to bring down a drug cartel, fronted by Sasya (Vijay Varma). The protagonist is viewed throughout from an external perspective, which is not the worst part, she rarely takes a solo decision and the little voice she has is mostly muffled by the male energy. Perhaps it is her surroundings or the fact that she is not aware of her own sexuality. She is initially embarrassed by her body, then recognizes its influence and eventually finds her power through it. This is where it becomes problematic because she starts seeing her body as a tool and the only way to get her share of power. Despite the obvious flaws, Aaditi Pohankar lends dignity to Bhumi with a layered, masterful performance. She maps the journey from timid female to an aggressive temptress effectively and smoothly. Vijay Varma is always a surprise package, with many twists to offer. It’s definitely worth a watch for the actors, some of its sparkling moments and the bold territories it travels to.
Hamida Parkar is a freelance journalist and founder-editor of cinemaspotter.com. She writes on cinema, culture, women and social equity.