Tag Archives: #mosaic

Over 25 Culturally Distinct Artists Perform in the Upcoming Mosaic Silicon Valley Festival

The Mosaic Festival in Silicon Valley announced a packed lineup of artists and performers representing culturally-distinct communities within and around San Jose and Silicon Valley for its inaugural event on October 2, 2021, at the Mexican Heritage Plaza, 1700 Alum rock Avenue, San Jose from Noon to 6 PM. The festival, presented by Mosaic America and the School of Arts & Culture, brings over 50 partners from culture-bearers to tech giants, with a mission to create more belonging through art.

The festival presents performances by Bloco Do Sol San Jose, Buu Kim Tu Lion Dancing, Calpulli Tonalehqueh Aztec Dancers, The Confederation of Ohlone Peoples, Danny Thien Le, Dunsmuir Scottish Dancers, Ensamble Folclórico Colibrí, International Performing Arts of America 神彩藝術團, LaToya Fernandez, Mary Jessie Celestin, New Ballet, New Ground Theatre Dance Company, Opera Cultura, Opera San Jose, Parangal Dance Company, Playboyz, Inc., Ramana Vieira, Ray Furuta, San Jose Jazz, San Jose Taiko, Simorgh Dance Collective, Tabia African American Theatre Ensemble, Blood Moon Orchestra, Xpressions and more!

“Our goal was to make sure that every person who comes to the festival sees their culture and community represented, seeding a sense of Belonging,” says Priya Das, Co-founder and Vice President of Programming for Mosaic America. “We are honored to present master artists who connect history, identity, and culture to Place. All of us, together, will reinforce the mosaic of Silicon Valley.”

The free event will also feature workshops, a visual art exhibit, and food trucks. Visit www.MosaicAmerica.org/Festival for more details and register for a chance to win raffle prizes.


Mosaic America is a nonprofit organization that strengthens communities, cultivates belonging, and catalyzes inclusion through inter-cultural and co-created art. Our team of artists uses inspiration from their cultures and art forms to collaborate on unique performances and expressions that highlight the common threads of our shared American story.


 

Mosaic Silicon Valley’s ‘Femina’: Find the Divine in India, Cambodia, & China

Making The Mosaic – A column that dips into the disparate, diverse palette of our communities to paint inclusively on the vast canvas of the Bay Area by utilizing Heritage Arts. 

Nine different (sub) cultural histories and traditions from around the world were co-presented by Mosaic Silicon Valley and Guru Shradha, in a program called Femina. It was a call for the world to step out of their cultural silos and experience the vibrancy of the Bay Area, the dynamism of the feminine, and the unifying power of the Arts to build a gender-balanced world.

As the program director, it was fascinating for me to delve into the compositions and choreographies and see the astounding common threads emerge, golden and self-evident. We’ll explore these findings through the first act of the program called Divine | Awaken featuring Indian, Cambodian, and Chinese art forms. Femina’s Divine | Awaken was an ode to the celestial and mythological – It was a call for all of us to find our divine and enlightened selves.

Guru Shradha’s Niharika Mohanty urged us to make room for, submit, and surrender to the divine feminine energies of Durga. Along with her Odissi students, Mohanty beautifully re-incarnated the superb sculptures from Indian temples, the forms manifesting god-like in the blue-light of the stage. One journeyed back in time – and saw the sculptors drawing upon their spiritual energies to carve the goddesses in stone. Art is a journey, one realizes, to an inner destination – familiar or invented, real, unreal, or fantastical. One cannot connect to the outside world without having connected within and art accelerates these connections.

Cambodian Classical Dancer, Charya Burt, emulates Cambodian Gods.

The Goddess was visited again by master choreographer and dancer, Charya Burt in the Cambodian Robam Chun Por or The Wishing Dance. It is typically in an opening ceremony, Devada Srey, that is used to convey blessings to the audience through flower petals. I was fascinated by the obvious Indian influences – Deva in Sanskrit is God, for starters. The Cambodian temple, Angkor Wat, is dedicated to the Hindu God Vishnu; indeed, there exists a version of Ramayana in Cambodia. Contrastingly though, while Indian classical dance uses movement, percussion, and melody to impress the divine upon us on Earth, Cambodian dance is designed to transport us to the heavens; the movements are soft and un-creature-like – Burt seemed to glide, buffeted by centuries of mysticism.

A dancer of the Hai Yan Jackson Compnay recreates art from the Dunhuang Caves.

The Chinese arts reclaimed history, thus solidifying the connection between the Divine and the Human. The Hai Yan Jackson Company presented “Flying Apsaras from Dunhuang.” This dance and its costumes were inspired by the discoveries at Dunhuang Caves which were believed to have been walled up in the 11th century and contain some of the finest examples of Buddhist art. Dunhuang was established as a frontier garrison outpost by the Han Dynasty and became an important gateway to the West, a center of commerce along the Silk Road, as well as a meeting place of various people and religions such as Buddhism. My “Indian” radar picked up on the Silk Route and Buddhism. I could feel the palimpsest of time and geography reveal itself in layers. The age-old apsaras appeared before us and the choreography was faithful to the celestial aura.

In Femina, the Mosaic team was able to create a feminine continuum between realms, time, spaces, cultures, and generations, through beautiful art. Happy Women’s History Month to all of you, dear readers! 

The wonderful thing about programming for Mosaic is that it blurs the lines. The narrative may begin as Art imitating Life but then one quickly discovers that it is Life imitating Art. Stories of life – its past, current, and future – are presented on the canvas of culture of, by, for the people in a specific place. Join us and learn more about the Mosaic movement as we catalyze Inclusion and cultivate Belonging in America! 


Priya Das is a writer, dancer, and co-founder of Mosaic Silicon Valley. She is fascinated by the intersections between history, culture, convention, traditions, and time.

Cambodian, Odissi, Jazz Artists

Ancient Contemporary: Odissi, Jazz, & Cambodian Classical

Making The Mosaic – A column that dips into the disparate, diverse palette of our communities to paint inclusively on the vast canvas of the Bay Area by utilizing Heritage Arts. 

“Children are taught racism. Children are taught diversity. They don’t see it; they only see human. Two words: education and exposure. What are children educated about and what are they exposed to?” Coleen Lorenz, artistic director of New Ground Theater asked, and went on to affirm that she loves the Arts because they are the symbol of universal being-ness, of who we are at birth

This was part of the conversation when Coleen; Niharika Mohanty, artistic director of Guru Shradha Dance; Charya Burt, classical Cambodian dancer and teacher; and I met for the sixth episode, Ancient Contemporary, of Mosaic Connect, an online series designed to explore our common humanity through the performing arts. 

The episode aired when the country was in the grip of civil unrest. Shelter-in-Place had, on the one hand, unified us, on the other hand, protests against police brutality seemed to have uncovered a series of deep fractures among us…and within us. All of us, it seemed, were questioning our identity and purpose. More importantly, we all seemed to be looking at ourselves and each other with new eyes, asking ourselves the question – Where do I belong?

Some were looking to rediscover or reclaim their identity and some were challenging their neighbor’s very right to be included as Americans.

Programming at Mosaic Silicon Valley addresses this issue: how to move multicultural American communities from diversity and inclusion to belonging. We highlight the common roots or representations of any two artforms, such as in Ancient Contemporary, which mediated a course between Odissi and Modern Contemporary one the one side; Odissi and Classical Cambodian on the other. This was done deliberately, to create awareness about our common humanity and celebrate our beautifully rich traditions. Thus, the online episode showcased each style and artist, as well as their collaborations and was followed by discussion.

Mosaic Fellow, Charya emphasizes in Ancient Contemporary, “Arts can provide a model that is inclusive. For culture based artists like us, Arts can provide us with dignity, cultural identity, and pride to those in the community.” 

That pride is the basis of our collaborations. In contrast to the “Melting Pot” model, we welcome artists as they are, to build bridges organically, through discovery and connections.

Niharika was wondrous of the fluidity of vocabulary in the Jazz Contemporary style.

Coleen was impressed by the level of complexity incorporated in Odissi dance.

Charya was amazed at the similarities that her artform and Odissi had, to temple sculpture and mythology.

Clips from both explorations are included in Ancient ContemporaryLet us explore our identity and shared futures through the arts practiced in America today. Let diversity not be relegated to the label “ethnic” which by its very definition, excludes. Instead, let’s come together and include one another in this wonderful American mosaic. Let us be unafraid to express ourselves truly, in order that we may fully Belong. To sum up in Niharika’s words, “There is an ultimate truth. We are One. We stem from the same roots. Arts are more than ever, an expression of who we are.” 

Watch it all come together in the video below!

Follow the Mosaic movement here!


Priya Das is a writer, dancer, and co-founder of Mosaic Silicon Valley. She is fascinated by the intersections between history, culture, convention, traditions, and time.

Co-improv-id with Saxophone and Sitar

Staying inspired requires energy in the best of times. Doing so while sheltering-in-place, dealing with canceled shows, complete lack of a real audience, and asynchronous, socially distant jam sessions strikes a discordant note in the life of artists and art organizations alike.

In the face of these odds, Sangam Arts’ Mosaic Silicon Valley initiative and San Jose Jazz are continuing to bring harmony into our lives. On Thursday, Sept 24, “Making the Mosaic” will bring us not just music, but a premier collaboration between two musicians from different cultures, Saxophonist George Brooks and Sitarist Arjun Verma. The two musician-composer-educators will first improvise in words and then in melody, virtually.

“Making the Mosaic has provided me with a wonderful opportunity to get to know Arjun as a composer and performer. It has been a unique experience in that we have not been able to be in the same space as we developed the material for this program,” shared Brooks. ”To stay true to the spirit of improvisation, which sits at the core of jazz and Indian classical music performance, the final layers of the performances are recorded live and in single takes.  It has been demanding work, but very rewarding.”

The musicians have been creative not just in their art, but in overcoming the challenges of collaborating during shelter-in-place. Since they did not have the option of working with an actual band, they created a virtual band using layers of sitar, saxophone, and bass clarinet.

Mosaic Silicon Valley’s mission is to connect communities through inter-cultural art. The organization purposefully commissions work that brings together high-caliber artists from disparate cultures with the goal of celebrating the differences while highlighting the common threads. As co-founder Usha Srinivasan puts it, “We see artists as the ambassadors to their cultures; when we bring them together, we bring entire communities together.”

Verma is a Mosaic Fellow and believes that “All music from every corner of this planet has the same fundamental building blocks, and when we, as artists, reach across the boundaries of musical genre, we realize this fact. More importantly, we realize the same is true about our humanity. Indian classical music shares an important feature along with jazz: the use of improvisation, or ‘composing on the spot’ as my teacher Ali Akbar Khan described it.  This gives us the freedom to express ourselves spontaneously through music in a way that is extremely fresh and personal.”

https://www.youtube.com/watch?v=LCXsA0xq47I&feature=youtu.be&ab_channel=MosaicSiliconValley

“Making The Mosaic: Improvisation in Jazz and Indian Classical Music” is a FREE event on Thursday, September 24 at 7PM PST. Register at https://sangamarts.org/making-the-mosaic/


Priya Das is the Co-founder and VP- Programming Strategy, Mosaic Silicon Valley, and a dedicated advocate for the classical arts.