Tag Archives: Love and Shukla

Love and Shukla: a Worthwhile Ride

Love and Shukla (2017) Directed by: Siddhartha Jatla. Written and Produced by: Siddartha Jatla and Amanda Mooney. Music by: Karl Heortweard. Players: Saharsh Kumar Shukla, Taneea Rajawat, Hima Singh, Aparna Upadhyay and Loknath Tiwari.

In a scene in Love and Shukla, the protagonist, Shukla (Saharsh Kumar Shukla), an autorikshawalla, watches his sister place a coin on a railway track that will soon be crushed. So, it appears, is the human spirit in danger in a city where too many struggle for too little.

This engaging indie film invites us into the inner life of Shukla, a surprisingly tender-hearted autorikshawallah who ferries his fellow humans around the City and who is in love with his new wife. He smiles as he thinks of her, as he speeds along the roads. He is protective towards her. He buys her bangles on his way home.

Yet there are some impediments in this after-marriage love story. His home is a claustrophobic room in the chawl.

Birds’ eye shot of the Shukla family

In a recurring birds’ eye view shot that looks like that of an open sardine can, we see that the sleeping adults in the communal room can lay claim to no personal space. A line of suitcases is the unironic boundary to his “honeymoon suite.” Even conversation with his beloved is hard to manage in his chaotic household, leave alone any romantic overtures.

An Everyman in a Mahanagar (city), reminiscent of Satyajit Ray’s film by that name, Shukla forces us to challenge some notions. While we might remember the auto guy who won’t take us to our destination because he can’t get a savari (ride) back, Shukla is the bhaiya who agrees to do so out of the kindness of his heart. The film takes us on a ride with this autorikshawallah who keeps getting ripped off. The police preys on and antagonizes Shukla rather than protecting whatever dignity he can preserve.

A montage of the passengers who populate Shukla’s backseat is an introduction to the denizens of the city that teems with free riders, goondas, fare dodgers and chatterboxes. An upper class young woman en route to see her boyfriend is as callous as the thugs who rob and beat him.

His home life is no better, full of bitter arguments with his parents and their choices. When will things finally begin to go his way? Much as in Love Per Square Foot (2018), the yearning for an independent living situation is powerful, but the cinematography in Love and Shukla (2017) is realist and gritty.

In the end, the film celebrates the victory of the human spirit over the many humiliations and debasements that are thrown its way.

Geetika Pathania Jain is Culture and Film Critic at India Currents. She is glad to live in a city where film festivals like Cinequest bring independent cinema to theaters.

India Currents is a media partner for Cinequest 2018.


Cinequest Represents the Culture and Community of Silicon Valley with Selection of Indian Films

Taking place in Silicon Valley, the country’s hub of innovation and technology, the Cinequest Film & VR Festival 2018 (CQ2018) returns for its 28th season, February 27th – March 11th, 2018. Representing the vibrant culture of the Valley as well as India’s outstanding cinematic stature and tradition, CQ2018 presents an incredible selection of work from the Indian community.

Renowned for the exceptional quality and diversity of its program, CQ2018 will screen 258 film and virtual reality works from 45 countries, and invite attendees to immerse themselves in a new storytelling medium at its curated VR Cinema and VR Experience Lounge.  52 celebrations and special events round out the offerings amounting to 510 screenings, events, parties and experiences. Over the 13-day program, Silicon Valley becomes the epicenter of tech and entertainment as filmmakers, futurists, writers, technologists, actors and artists from around the world converge to celebrate their work in one of the most diverse metros in the world.

To learn more about the full festival lineup, and to purchase festival passes, tickets to screenings and special events, visit www.cinequest.org.

Highlights of Indian Cinema at CQ2018:


Love and Shukla (Directed by Siddartha Jatla; Bay Area Premiere)

Shukla, a rickshaw driver, deals with a multitude of passengers on the roads of Mumbai. Some of them take advantage of him, but they can’t rob him of his prized possession – his decency. A new marriage and a pretty bride bring up many unanticipated challenges. Before Shukla can get lucky, he has to grab life by the horns.

From Baghdad to the Bay (Directed by Erin Palmquist; World Premiere)

Ghazwan Alshari had his dream job – translating for the U.S. forces in Iraq.  But when he was accused of being a double agent by the same people he was aiding, with his life and the safety of his family in jeopardy, Ghazwan fled Iraq and settled in San Francisco to begin anew. Struggling and alone, Ghazwan reveals another secret in his life– he is gay.  Ghawan’s turbulent and ultimately joyous journey is nothing less than a testament to the human spirit.

N of 1 (Directed by Bernard Friedman; World Premiere)

An appliance repairman from Canada, an immunologist from Israel, and a transplant surgeon from England meet in a hospital in India. This might sound like the start of an elaborate joke, but it is actually a remarkable collaboration established in an effort to save the life of a young woman dying of liver cancer. As they invent and then carry out an experimental procedure through a journey that spans five countries, this unconventional team recognizes that what they are attempting could have broad implications for currently untreatable cancers.

Purdah (Directed by Jeremy Guy; World Premiere)

Being in a Muslim family in modern day India can sometimes be a struggle for 20-year-old Kaikasha and her two sisters. Their father wants them to wear burkas and to have arranged marriages, but these determined young women have dreams of their own. This beautiful and rousing story follows Kaikasha in her quest to be the first Muslim on the Mumbai women’s cricket team and then follows her into a corridor of uncertainty after a shocking turn of events changes the fate of her family.

The Ashram (Directed by Ben Rekhi; World Premiere)

Shot on location in India, Academy Award-winner Melissa Leo (The Fighter) stars in the story of a Jamie, an American skeptic, following the trail of his lost girlfriend to a mystical Himalayan community. His quest to find Sophie leads him to an ashram where an evocative cast of characters, including Kal Penn (Harold & Kumar), awaits. He has reason to suspect everyone but needs to trust each to help him. Will their universal consciousness bind them in nurturing relationships, or will the evil, lurking beneath the calm, destroy them all?

Venus (Directed by Eisha Marjara; US Premiere)

When Ralph skates into Sid’s life claiming to be his biological son, life has already thrown a curve ball at Sid, a woman trapped inside a man’s body. As the woman inside bursts forth brandishing a red stiletto, Sid is wise enough to let her dance. But to navigate the labyrinth of relationships with her traditional Indian parents, a closeted gay boyfriend unsure of himself, and the son who she didn’t even know existed, she will need more than a stiletto. The film takes you up close to the journey of a transgender person and is guaranteed to keep you transfixed.


Paggi (Directed by Nardeep Khurmi; World Premiere)

When a hate crime clouds the 4th of July, Mandeep, a Sikh-American, must grapple with his anxieties and fears as he attempts to celebrate the holiday with his wife and infant son. Feeling lost, alone, and fearful for his wife and child’s safety, Mandeep makes a tragic decision and irreversibly changes his identity.

Fanny Pack (an official selection of the LUNAFEST program)

From director Uttera Singh, also co-director of CQ2018 feature film selection, The Mad Whale, this relatable comedy follows a young Indian-American woman who wants to follow her dreams, and her fanny pack-clad Indian father who chases her through an airport, hoping that she will follow his.

More than 105,000 attendees will experience the work of internationally renowned and emerging artists and technologists, representing a spectrum of genres, genders, ethnicities, orientations, and viewpoints. Honoring the careers of icons, legends and risk takers in film, Cinequest will present its coveted Maverick Spirit Award to Nicolas Cage (Leaving Las Vegas, Raising Arizona), Andie MacDowell (Sex, Lies & Videotape, Four Weddings and a Funeral), Tatiana Maslany (Orphan Black, Stronger) and Tom Cullen (Downtown Abbey, Black Mirror). Director, producer, tech entrepreneur Travis Cloyd will be honored with this year’s VR Visionary Award, recognizing his work in immersive entertainment. Additionally, this year’s Media Legacy Award will be presented to Ben Mankiewicz, Primetime Host Turner Classic Movies (TCM) celebrating his incredible life and impact on the industry, as a writer, journalist and co-founder of The Young Turks.

This year’s program includes 75 World and 55 U.S. premiering films, starring award winning actors including past Maverick Spirit Award winners William H. Macy, Rosario Dawson and Peter Fonda, as well as Kal Penn, Michelle Pfeiffer, James McAvoy, Hilary Swank and Stanley Tucci.

Visit www.cinequest.org for the full program of Cinequest Film & VR Festival 2018, and to purchase passes and tickets to screenings and events.