What makes you a poet?

Reena Kapoor’s debut book of poetry, Arrivals & Departures: Journeys in Poems makes this question even more relevant. Consider poetry a result of meditation, of thoughts, ideas, and memories that collect in the mind through observation. Reena grew up crisscrossing India as her father was a doctor in the Indian army. Her educational path is, like her poetry, quite diverse. She earned an undergraduate degree in Engineering from the prestigious Indian Institute of Technology, a Master’s from Northwestern University, and works as a software product leader in Silicon Valley. Kapoor’s debut poetry collection is thematically divided into sections interspersed with photographs she took. These images seamlessly connect her poetic utterance with passionate understanding. Recently I caught up with Reena Kapoor, a Bay Area resident, over email to pick her brains about her beautiful bouquet of poems and pictures. 

IC: Arrivals & Departures is your debut poetry collection. What role did nostalgia play in putting this book together if any and how?

I am an immigrant and a traveler.  And grew up as such – my father was a doctor in the Indian army and I grew up living all over India. In fact, I attended about 8 schools through high school, and call myself a “musafir” which is the Hindi/Urdu word for a traveler. Nostalgia plays a big role in my written word both due to my life circumstances and I guess to some extent life stage. Something about middle age and you start to see your life as it has been and how it’s brought you where you are. So looking back becomes much more natural vs. being younger where a solitary focus on the future is more apt and natural. My poems also express a “nostalgia” of sorts for what I don’t actually remember, ironically e.g., “koel” talks about the songbird that reminds me of childhood but the home is my parents’ current home which I did not grow up in but it still feels like mine…

IC: My reading of your collection introduced me to multiple themes, and a speaker addressing different voices. Can you talk about the various themes there are in your work, and how they interact with each other? 

The themes in my work are multiple but they tie back to me, my life experiences and my take on life, and how to live a good one. A lot of what I say has to do with how I grew up, (what it was and I guess to some extent IS like) being a girl/ woman in India and then my own very personal attachments to people and interests and objects that hold enduring meaning for me.

IC: I quite like the interdisciplinary play of images and words, where sometimes the image is a poetic utterance itself. What was your process like in putting this unique book together? What do you want your audience to take away from it? 

This is perhaps the hardest question for me – one that I get a lot of but one that I am pretty much at a loss to answer i.e., the “how” of writing my poems. The pen moves and I follow. I am led by an inner voice that I can’t turn away. When it arrives, I am compelled by words that spill out. I may polish or refine those words later but the initial and main body of the work almost creates itself. I guess it’s probably a given that I can’t “teach” poetry because the “how” of it is so elusive to me. 

These poems have been “coming” to me for over a decade now and I finally found the quiet space to listen and put them down. But it was really my husband who pushed me to publish my work. I was plagued by the usual self-doubt that I guess many writers face – and I still do – as to who would be interested in my words or my ordinary life? The fact that even a few of my friends and loved ones have found some resonance in my poems has been one of my most precious gifts.

IC: You are not just a poet. With degrees from IIT, Northwestern, a keen interest in photography, theatre, and performance as well, did these other aspects of your creativity influence your writing, and if yes how did that come about? 

Becoming an engineer was a practical and financial choice. I liked Math and Physics. And I came from a middle-class family in India where my parents emphasized the importance of being financially independent — especially for women. In those days in India, you could choose to be a doctor, or an engineer or a loser. So I ended up in IIT. I was always active in theatre and continued this pursuit through college and my early working years in the US. Photography came to me later with the iPhone 3…and the iPhone has continued to be my camera of choice. And Poetry came about the same time that I started capturing photos. I guess some latent creative impulses were clamoring for expression all along but I could only hear them once I felt a little more “settled”, a little more free, and in some ways liberated from my own expectations of “success”. It’s been a wonderful path and I am still loving every minute of it. My very first play “Art of the Possible” was played online recently and I am actively writing more theatre and literary pieces that will hopefully be produced soon. 

IC: Every day before I sit to write, I like to read something that I love, irrespective of the genre. What inspires you to write? 

The human condition. Nothing more or less. Why are we this way and what moves us and why? Finding happiness and meaning in the smallest of things is all there really is — yet it is also the human condition to chase so much else for naught; so much prestige, empty adulation, status, endless wealth yet most of which often leaves the traveler feeling alone and empty. Yet the chase becomes a life. Why? Eternal questions and I am not sure I will ever have answers. But the pursuit of such questions moves me and such learning is what I seek.


Dr. Manisha Sharma is a poet, fiction writer, and yoga teacher passionate about social issues in India. Her work is longlisted for the 2021 Commonwealth Short Story Prize, a finalist for the 2020 Cream City Review Fiction Contest, a semifinalist for the 2019 American Short(er) Fiction Contest. Her publications are in The Madison Review, The Common, Puerto Del Sol, The Bombay Review, and more. Currently, she is a lecturer in English and Yoga at two community colleges in Virginia and Ohio. 

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