Vasudhaiva Kutumbakam: From Trinidad to America

Covers (2)

Being newly retired, memories of my childhood bubbled up, as I finally had time to daydream. My father’s grandmother, Gangee Maharaj, arrived in Trinidad from Raipur, India in 1900. Many Indians came to Trinidad as indentured laborers eventually earning plots of land from the British. Thus, my great-grandparents received their own land, passing it on to my grandparents, on whose farm I grew up. I remember vividly our two beloved cows, Rani and Raja. We were often blessed with fresh and nutritious milk.

To become an eligible bride, one requirement was to be able to skillfully puff a paratha! Achieving the perfect architecture and weight of the delicious and well-known flatbread takes practice. Only then could you have your handprint painted on Grandma’s kitchen wall. This meant that you were allowed to enter her kitchen and prepare a meal under her supervision. My first painting had to be of this kitchen!

I also remembered the wonderful folklore of Trinidad infused by the many African immigrants. We heard many stories of mythical creatures. Moko Jumbie was invoked to protect the people during the long and arduous slave boat journeys from Africa. The Soucouyant is a vampire, popular in many Caribbean countries. I remember being very scared hearing some of these stories as a young girl!

My paintings are of memories from my childhood, which was steeped with traditional Hindu ceremonies, African folklore, the natural beauty of the islands, and the array of cultures of the diverse population.

The world is a family 

One is a relative, the other stranger, 

say the small minded. 

The entire world is a family, 

live the magnanimous. 

Be detached, 

be magnanimous, 

lift up your mind, enjoy 

the fruit of Brahmanic freedom. 

—Maha Upanishad 6.71–75 

The Yamas and Niyamas of Healing Patterns and Colors is the title of my newest painting collection.

Imagine that these ethical principles, the yamas and niyamas of the ancient Upanishads are embedded in all my paintings. The sage, Patanjali expounds on them in his Yoga Sutras. Sutra means “thread” in Sanskrit, which you can see represented by the many-colored line segments in this painting collection. 

Indra Persad-Milowe’s Art Piece, The Yamas and Niyamas of Healing Patterns and Colors.

YAMAS: Patanjali’s Yoga Sutras lists five yamas, or moral restraints, which apply specifically to how you behave outwardly toward other beings.

1) Ahimsa – Non-violence in thought, word and deed 

2) Satya – Truthfulness 

3) Asteya – Non-Stealing

4) Brahmacharya – putting the “path to the Divine” first and foremost in life 

5) Aparigraha – Non-hoarding, freedom from grasping 

NIYAMAS: Patanjali’s Yoga Sutra lists five niyamas, or observances, which apply specifically to how you conduct yourself on a more personal level. 

1) Saucha – Cleanliness 

2) Santosha – Contentment 

3) Tapas – Self Discipline 

4) Svadhyaya – Self Study 

5) Isvara-pranidhana – Surrender: offering yourself completely as a vehicle of the Divine will 

My ten-piece paintings capture religious and cultural life in so many patterns and colors, just like our world is full of varieties of patterns and colors. They reflect many disciplines and ideals of life: faith, fortitude, sacrifice, respect, and love. Love and respect for all patterns (ways of life) and colors (global cultures) are a very important Hindu worldview – “VASUDHAIVA KUTUMBAKAM” (The world is a family).


Indra Persad Milowe is a visual artist living and working in Salem, Massachusetts. She is currently working on an extensive series of paintings, drawing upon childhood memories of growing up in Trinidad during the 1950s.

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