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Yash Raje, the son of a royal family who’s uncomfortable with privilege, worked his way up the California political ladder. Now, he’s running for governor on a platform of fiscal and social reform, healthcare, and equity. At a rally three months before the election, shots are fired by a white supremacist. Abdul, his trusted bodyguard, shields him but is critically wounded. Yash, too, is wounded, and he’s unable to regain control of himself in order to control the situation.
Survivor’s guilt. Trauma from gun violence. Rushes of stifling anxiety. Yash can’t resume his campaign. His beloved sisters, Nisha (his long-time campaign manager), Trisha (a top neurosurgeon, Book One), and cousin Ashna (a celebrity chef, Book Two) insist he sees their friend India Dashwood, a top Bay Area yoga and stress management therapist. Yash balks at the suggestion but acquiesces when Ashna reveals she’d suffered anxiety attacks, and only India could help her.
To the sisters, India helping Yash is perfect. To Yash, India is the one he secretly let slip away a decade earlier. To India, Yash is the supercilious one that led her on, then treated her badly. Thus begins the delicious dance of sexual tension that Dev writes so well.
When Yash and India come face to face ten years after their serendipitous-but-secret meeting and Yash’s sudden alliance with a high-profile businesswoman, neither knows how to react. Neither wants to release the feelings they’ve internalized for ten years: Yash’s regret, India’s hurt. Nevertheless, India sees his once-golden aura has diminished, and because of her innate kindness, she agrees to help.
Emotionally taxing for both, Yash and India become magnets, attracting and pushing each other away when they come too close. They can read each other but can’t say the words. They don’t know how to handle unspoken emotions and assumptions. India reminds Yash he’d told her that he wanted to be a public servant, not a politician. That distinction, dripping with honesty, ultimately sparks the choices both must make in order to move forward professionally and romantically.
The Raje Family series honors Austen’s brilliance while fresh enough to celebrate Dev’s creativity. Therein lies the delightful flexibility of interpreting Austen’s novels; they are timeless, and her women are second to none. Strong Indian, Thai, Ghanaian, Korean, Black, White, bi-racial, and LBGTQ women populate Dev’s story.
“I think Austen’s genius lies in the fact that she wrote from a place of complete honesty when it came to her belief that women deserved to get what they desired,” Dev told me.
And Dev, like Austen, aptly embraces social commentary. Essential issues—gun control and violence, immigration and racism, healthcare and equality—are interlaced without lectures; daily lives play out with their respective outcomes. Still, she judiciously balances those issues with love, tenderness, and the joy of purpose.
“[Austen] effortlessly dresses her themes in character and story,” Dev said, “but what she’s exploring is the power imbalances in society and the courage it takes to value yourself enough to shatter ranks in the face of those imbalances in order to get what you desire.”
So what inspired her to create the superbly romantic, ultimately joyful Austen-based Rajes Family series?
“I always dreamed of tying my four favorite Austen novels into one story universe,” Dev said. “The Rajes gave me an opportunity to explore and speak to things relevant in today’s world. I also wanted to spotlight the side of immigrant life that’s not dislocated and angst-ridden…there’s the personal strength and power of making and claiming home where you desire it.”
Jeanne E. Fredriksen lives in both Carolinas and is a long-time contributor to India Currents, a Books for Youth reviewer for Booklist magazine/American Library Association, and a member of WCPE-FM The Classical Station’s Music Education Fund committee.