This set off one of the great migratory upheavals of the twentieth century, one in which both Muslims and Hindus panicked and feeling suddenly vulnerable and stateless, fled or were driven to flee across the new borders for what they perceived to be safer haven.
Vinita Sud Belani of EnActe Arts who is Hindu and originally from India, and Farah Yasmeen Shaikh of Noorani Dance who is an American born Muslim to Pakistani parents have long wanted to tell this story through the eyes of those who survived, those who have been forgotten and those who perished. The result is The Parting, presented by Z Space in January of 2018, followed by a production in San Jose in March 2018.
While the major political figures of Partition are well known: Lord Mountbatten, the Viceroy from Britain, Nehru and Gandhi, leaders of Indian National Congress and Jinnah from the Muslim League who became the head of Pakistan, none of them will appear in the play. Instead the story will zero in on the British lawyer Cyril Radcliffe who was assigned the task of drawing the line between India and nations, thus sealing the fate of families and individuals who would find themselves caught up in the turbulence of Partition during the birth of these nations. In the end, more than 15 million were displaced, while an estimated 2 million died.
The cast of 22 actors and 18 dancers along with a lone violinist (who is also the composer of the original score) will take to the stage to tell these stories that cross borders and time in order to show the price of human conflict. What makes the play so compelling is that all the stories come from real, lived, and documented events. Interwoven and linked in unexpected ways, the production brings to the surface the causes that became the fault lines between communities— many of which remain still unresolved and buried.
Though the partitioning of India occurred 70 years ago, the story The Parting tells echoes today in a modern world that has been turned upside down by a number of internal crises that see borders and populations being upended with huge swaths of citizens forced to flee their homes in order to secure a future.
“I have never been to Pakistan but I have many Pakistani friends here,” says Belani. “It is clear to me that the socio-cultural affinities developed over five millennia in the South Asian sub-continent cannot be eroded or negated by a mere 70 years of propaganda by politicians.”
The lone violinist who will wander throughout the play in different scenarios is the composer of the original score, Raaginder Singh Momi. “The violin is a character in the play, a voice, which sometimes represents the voice of a physical character and sometimes the mood of the collective in that moment,” says dance and music director Farah Yasmeen Shakih.
Adds Belani, “The nature of the Indian classical violin is very evocative for all Indians, both Muslims and Hindus. And not unlike Fiddler on the Roof, where it was used so movingly, The Parting is ultimately a story of home and being pried away from it.”
The dancing will include multiple forms of South Asian dance, both classical and folk. Most prominent will be that of kathak, featuring Farah Yasmeen Shaikh herself along with the performance ensemble of Noorani Dance.
Says writer and director Salil Singh about the play, “The production should awaken sleeping memories and remind us of what was lost–the terrible human cost of partition on individual lives as the worst of humanity was unleashed and plunged an entire country into darkness. But ultimately, it should also give us hope and inspiration–that through the act of remembrance, in reliving the extraordinary choices and struggles of those individuals, we also witness how it brought out the best within ordinary people.”
January 19-20, 2018 at 8pm; January 21 at 2pm. Z Space, 450 Florida Street, San Francisco, CA. $35-$55. Z Space.org