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Why Madhubani? Find Out At Our Free Workshop!

Why Madhubani Art?

Madhubani literally means ‘forests of honey’ and refers to paintings in a distinct style that captures viewers’ attention with their vibrancy. ‘Madhubani’, is a folk art handed down over thousands of years from the times of Ramayana. Tradition states that King Janak of Mithila commissioned artists to make paintings for the wedding of his daughter, Sita, to Lord Ram. The womenfolk of the village drew the paintings on the walls of their home as an illustration of their thoughts, hopes, and dreams.

With time, the paintings became a part of festivities and special events. It was unknown to the outside world until the massive Bihar earthquake of 1934. House walls had tumbled down, and the British colonial officer in Madhubani District, William G. Archer, inspecting the damage, ‘discovered’ the paintings on the newly exposed interior walls of homes. Archer was stunned by the beauty of the paintings and their similarities to the work of modern Western artists like Klee, Miro, and Picasso. Slowly and gradually, Madhubani paintings from Bihar, India, crossed the traditional boundaries and started reaching connoisseurs of art at the national as well as the international level. 

Madhubani paintings, done in villages around the present town of Madhubani, were usually done on freshly plastered mud walls of huts. These paintings use two-dimensional imagery, and the colors used are derived from plants. Traditional themes generally revolve around Hindu deities like Krishna, Ram, Shiva, Durga, Lakshmi, and Saraswati. The paintings also depict natural objects, like the sun and moon, and religious plants, like tulsi (holy basil). Other motifs include scenes from the royal court and social events, apart from activities from daily life. 

Madhubani is a unique folk art that is said to beckon the gods every morning who comes invisibly to the household to bless the members of the family and to bring prosperity. Hence my fascination with it!

About Bandiworks and Me

I’m a multi-disciplinary artist who enjoys engaging with folk art from across the world – with a special focus on India. The idea is to share with people the simplicity of these creative forms and my love for them – I find them so empowering. I design and conduct experiential workshops for all age groups, giving a contemporary bent to heritage Arts and Crafts. 

At Bandiworks, one of the artforms we worked with extensively is ‘Madhubani’ of Bihar. We have adapted this folk art to create contemporary custom-made articles of use as well as curated paired experiences which introduce you to Madhubani in different settings. Be it along with the traditional food of Bihar, the Dashavatar rendition in Kathak, or the intricate folds of Origami. This juxtaposition makes for thought-provoking forms of expression and gives rise to unexpected conversations.

India Currents and Bandiworks Connects

Join me, in collaboration with India Currents, for a free LIVE Madhubani drawing workshop on March 31st at 6:30pm PDT and 9:30pm EDT.

Sign up for the event here: https://www.eventbrite.com/e/146816172123

Join us from anywhere in the world to celebrate Holi and draw Madhubani art.

This event is for all ages and will run as a 1.5 hr online workshop on Zoom.

No previous drawing skills required!!

You will walk away with the knowledge of an age-old traditional art form, appreciation for it because you’ve drawn it yourself, and an hour of relaxation and fun – much needed during these times.

Materials Required:

  • A4 sized paper (Thicker is better. Handmade paper if you have access to it)
  • Fine tipped gel/fibre tipped pens in black and red (fine-tipped sharpies)

Look forward to seeing you all there!


Bandana Agarwal is passionate about folk art from around the world and hopes to make it accessible!

Unlocked: Eight Monologues. One Lockdown

The lockdown has affected us in different ways – introspective, illuminating, irritating, igniting, isolating. Needless to say, we’ll never be the same again. So, why not combine theatre with technology and capture our lives during the lockdown. EnActe Arts attempts to do just that by bringing together India’s finest actors, most talented playwrights, and some of our best-known directors. 

They, through their diverse stories, give us a tongue-in-cheek perspective on how 150 days of solitude shaped their lives. The eight monologues in Hindi and English vary from the hilarious to the heartwarming, from eureka moments to experiential thoughts. From conversations to unseen companions to stream of consciousness bursts of solo thought.

Enjoy the ride and stay for the talkbacks!

THE MONOLOGUES (All times PST)

  • Fri Jan 8 – 5:30 p.m. 8:30 p.m.
    Sat Jan 9 – 5:30 p.m.
    Sun Jan 10 – 5:30 p..m
    Tickets: $15 
  • For Age: 16+
  • Language: English & Hindi
  • Duration: 90 min (with interval)

AAWAZEIN (Hindi)

Written by Purva Naresh; directed by Rajit Kapur; performed by Seema Biswas

A concerned mother tries to reach out to her daughter in a big city. 

BRAND NEW WORLD (English) 

Written by Adhir Bhat; directed by Q; performed by Veronica Gautam

A hospital intern tries to explain the meaning of lockdown to a patient just out of a coma.

CHAMGAADAD KA INTEQAAM (Hindi) 

Written & performed by Raghav Dutt; directed by Sukant Goel

As Lockdown 1.0 begins, forced to stay back in the madarsa, a young, wayward boy finds his own way to battle both, the pandemic and his fear.

HAAN NANDUBHAI (English)

Written by Rahul da Cunha; directed by Gurleen Judge; performed by Aahana Kumra

A young actress, trapped inside her Goregaon flat feels the effects of the lockdown, her lack of starring roles and pangs of loneliness.

HAWALDAR HAWA SINGH HAAZIR HAI! (Hindi) 

Written by Ashok Mishra; directed by Rajit Kapur; performed by Gagan Dev Riar

An exasperated Hawaldar tries hard to convince people to stay at home.

I’M LOBO LOBO, MEN (English)

Written by Rahul da Cunha, directed by Nadir Khan, performed by Joy Fernandes

A satellite cable repair guy visits the home of a very fussy, CoVid- paranoid couple during lockdown, with hilarious consequences.

MIDDLE CLASS (Hindi)

Written & performed by Hussain Dalal; directed by Akarsh Khurana

A Corona warrior shares his experience as a compounder in a quarantine center and the friendships he made there that changed his life. 

RAASHAN (Hindi)

Written by Abhishek Majumdar; directed by Anand Tiwari; performed by Rajit Kapur 

An upper middle-class man visits the slum in his area to borrow alcohol from his friend.  The piece deals with the relative value of hunger, thirst, and poetry.


Mona Shah is a multi-platform storyteller with expertise in digital communications, social media strategy, and content curation for Twitter and LinkedIn for C-suite executives. A journalist and editor, her experience spans television, cable news, and magazines. An avid traveler and foodie, she loves artisan food and finding hidden gems: restaurants, recipes, destinations. She can be reached at: mona@indiacurrents.com

Making Space For the Unknown: Desi Poetry Reading

Join India Currents and Matwaala, once again, in our Desi Poetry Reading Series. This time we bring you six poets addressing the ever-present uncertainty and change. The South Asian diaspora is perpetually evolving, breaking new boundaries and forging new connections in every sphere. India Currents presents its third Desi Poetry Reading to discuss how South Asian communities interacting with a year of inconsistencies, trauma, growth, and change.

To join the FREE poetry reading on Thursday, December 3, 2020 at 6pm PST and 9 pm EST, register here:

https://www.eventbrite.com/e/desi-poetry-reading-uncertainty-and-change-tickets-130829912791

Or check to find our Facebook Live Stream at the time of the event here:

https://www.facebook.com/IndiaCurrents/videos

This poetry reading will feature notable writers from various pockets of the South Asian community, including Indran Amirthanayagam, Varsha Saraiya-Shah, Kalpna Singh-Chitnis, R. Cheran, Saleem Peeradina, and youth poet, Sara Garg. India Currents staff, Srishti Prabha and Kanchan Naik will moderate the event, facilitating questions from the audience on Zoom or Facebook Live.

This is effort is in collaboration with Matwaala, a South-Asian poetry collaborative designed to provide immigrant and POC writers with a literary platform. In their own words, Matwaala represents “voices that dare to say the unsaid and hear the unheard…voices that break down barriers…voices that dare to be South Asian, American, and simply human.” Since their formation, they have hosted a number of poetry festivals and writing workshops. Most notably, they recently spearheaded Smithsonian’s Beyond Bollywood Project, where they created a Poetry Wall in honor of South Asian writers at the Irving Museum and Archives.

We hope to see you there!


Srishti Prabha is the Assistant Editor at India Currents and has worked in low income/affordable housing as an advocate for children, women, and people of color. She is passionate about diversifying spaces, preserving culture, and removing barriers to equity.