Tag Archives: #mixedmedia

‘I Want My Work to Encourage People to Stop & Think’ Says Michelle Poonawalla

(Featured Image: Michelle Poonwalla and Circle of Life Artwork)

Artist, businesswoman, philanthropist, and socialite Michelle Poonawalla recently showcased a series of her new artworks at the Tao Art Gallery’s exhibition The Tangible Imaginative for the Mumbai Gallery Weekend. Michelle’s four oil on canvas works—Blue Wave, Desert Rose, Forest Flutter and Flutter Fly—come from the artist’s Butterfly Series, and feature three-dimensional, sculptural elements affixed to the canvas. Painted in bold colors, the works feature gold-effect butterflies.

Futter Fly

Poonawalla lives and works between London and Pune. Her practice combines cutting-edge technology and traditional artistic mediums, often utilizing sound, video mapping, projection, motion sensors, and other techniques. She has previously exhibited her work at the Saatchi Gallery, London; Alserkal Avenue, Dubai; and as a collateral project at the Kochi Biennale, India. More recently, Poonawalla has also begun exploring work with shorter digital format films.

In this exclusive interview, she spoke to us among other things about her earliest artistic influences, nature as inspiration, her favorite art medium, and the butterfly symbol in her works.

Tell us a little about your oil-on-canvas works at the Tao Art Gallery’s exhibition The Tangible Imaginative for the Mumbai Gallery Weekend.

MP: The four works come from my Butterfly Series which evolves beyond traditional 2D painting, incorporating sculptural elements that bring the artworks off the canvas and into the viewer’s space. A lot of my work features the butterfly symbol which for me represents both beauty and freedom–an ephemeral creature that is the result of a metamorphosis.

What was the idea, inspiration behind them?

MP: The works all have different inspirations and stories behind them. For example, Blue Wave is inspired by Mumbai and references the city through its free-flowing language and color. Desert Rose, which also features butterflies, represents the inherent beauty in nature’s patterns as I allowed the butterfly sculptures to fall naturally on the work before affixing each one where they landed.

A theme often addressed in my work is the strength and beauty of nature and the importance of preserving it. This is perhaps most obvious in Forrest Flutter. Painted in dark earthy hues and greens, the work celebrates the forest. 

You are the granddaughter of the iconic south Mumbai architect Jehangir Vazifdar. Tell us about some of your earliest artistic influences.

MP: From an early age, I was taken to some of the greatest museums and galleries in the world. I have always loved art and painted throughout my life and studied Interior Design at university. I was perhaps most inspired by my grandfather, Jehangir Vazifdar, a renowned painter and architect. My grandfather had a very special technique in oil painting with a ruler which he shared only with me, and it is important for me to carry on his legacy.

Your work is known to explore universal, socially engaged topics. Tell our readers about some of these themes.

MP: Art is a universal language with a powerful voice, and I’m conscious my work is used to spread a positive message. For example, I have recently produced a series of video works that explore environmental change and other issues around us today. I want my work to encourage people to stop, think, and introspect. Be it climate change, water scarcity, or violence in our world, people should always stop and think.

Desert Rose

Which is your favorite art medium? Do you feel that digital art is the future of art?

MP: I enjoy acrylic and work in acrylic for my butterfly paintings. However, I wouldn’t say I have one favorite medium. I’ve worked in oils a lot and I am looking forward to exhibiting some drawings at the 079 Stories gallery in Ahmedabad soon.

Digital art is certainly something we are seeing more of but I think physical painting will always have a place – it is important to be able to physically engage with artwork in person. I’ve always been interested in combining cutting-edge technology and traditional art forms, and digital art has allowed me to create huge immersive installations where the viewer is completely emerged in the visual image. Technology gives an artist the freedom to explore endless possibilities; it allows a greater feeling. I also think digital art speaks the language of the younger generation, and it keeps their interest in art growing.  

What are you working on next?

MP: I’ve got several projects coming up, including showing work in a drawings exhibition at the beautiful 079 Stories in Ahmedabad in February. Later in the year, I will also be showing work in a group exhibition in Delhi. Alongside this, I am exhibiting work online with several platforms including digital work with SeditionArt.com and several new works I have just produced for House of Culture. Hopefully, there are a few international projects on the cards which I will be able to announce later in the year. 


Neha Kirpal is a freelance writer and editor based in New Delhi. She is the author of ‘Wanderlust for the Soul’ and ‘Bombay Memory Box’.

Words to Art: What Are You Feeling?

As the recent lockdown hit, my community art space in Arlington, Virginia, Studio Pause, closed to the public. People asked me to take our weekly writing PAUSE sessions online, shared links for bookmaking videos from my website, and even quoted my Instagram posts on their social media. I did phone calls with worried children who had made art for me, their art teacher. I got emails from seniors asking what creative things I do to stay calm. At the studio, I had experienced people’s discomfort during the two federal shutdowns we had in Washington D.C. Then there was anger. Now there is panic.

In early April I got an email from Special Projects Curator for Arlington Cultural Affairs Cynthia Connolly asking for “a super-fast and fun art project.” I had previously worked with Connolly on Columbia Pike Recipes for You, a community book arts project, and Words to Art: Art on the ART Bus, where I collaborated with bus drivers. I created a new version of Words to Art asking the public to collaborate this time. Connolly decided to bring four other Arlington artists into the project. Words to Art Spring 2020: A Community Art Project by Sushmita Mazumdar & Arlington Arts, which would run for four weeks.

Every Monday, this online project invites the public to share one word expressing their feelings about the COVID-19 quarantine. Artists select a word from the submissions and create artworks inspired by them. The public follows their creative process through the weekend via social media as the artworks are shared. The finished works are posted at the Arlington Arts website and at my Studio Pause website. 

For Week One, I picked the word Non-Essential to work on. It was submitted by Rosendo Escareno. Describing my artwork I wrote, “I love the power conveyed by thick strokes of Chinese ink, so I used it to write the 2 Ns in ‘non’. As I wrote the word ‘non’ over and over with water-soluble crayons, I thought of how many of us were suddenly declared ‘non-essential.’ Yet in my home, I had decided that I would be the only one to go shopping for groceries. I had made myself essential! I even swapped some ‘non’ for ‘mom.’”

Chastened, submitted by Frank Higgins, was rendered by David Amoroso. Speaking to Arlington Magazine, Amoroso notes that since the pandemic, he’s had major paradigm shifts. “Now, everything and everybody feels a little like the enemy.” Art has always been his therapy, he says, bright colors and pop culture subjects. However, there is a distinct change in the look of the art he created for this project—they are black and white. “The words I have selected so far—chastened and broken—really speak to what’s going on inside me.”

Survival was submitted by Lloyd Wolfe and rendered by Maribeth Egan, a mixed media artist and arts educator. Her collage includes a visual bombardment of natural forces threatening to obscure the word. A cartoon hand in the background suggests a route to survival: wash your hands. She uses collage, ink jet, gouache, and embroidery floss on paper to create the desired effect. Maribeth firmly believes everyone should learn to value creativity, make art, and is happy to support that effort. In her art practice, she combines a variety of materials with paint, investigating what rankles or delights her at a given time.

Stuck was submitted by Leigh Bailey and rendered by MasPaz, who spends the majority of his time traveling, teaching and painting murals across the world. His digital illustration represents people who choose to not leave their homes in order to protect their family, yet do not have enough money to feed their children. In his home country of Colombia, those in need of help, hang a red flag outside of their homes. 

I used the artworks as visual prompts for my writing PAUSE sessions, where studio members craft short free-writes inspired by art. Kori Johnson was immediately drawn to Stuck. She wrote, “In Colombia, you hang a red flag outside your door to signal you need help. I wonder if that would work here. Would anyone hang a flag? Would anyone come to help? What red flags would we wave if we could get help without judgment? What flags do we ignore, even when they are right in front of our faces?”

An excerpt from studio member Mary Louise Marino who took a poetic approach: 

“… 

an unsafe outside 

and insecure inside

unable to stretch

and grounding our feet

in the foundation of our home

we become heavy lines 

stiff and stuck”

Lonely, submitted by Colleen Moore, was rendered by Kate Fleming, who has spent her isolation making oil paintings of toilet paper – a playful, yet poignant nod to one of COVID’s hottest commodities. In response to this, studio member Ruben Villalta wrote, “I would like to write about the picture of the toilet paper, to think about something happier than the disastrous COVID-19.” Villalta remembered attending an art talk in El Salvador by Antonio Cañas, who discussed his Warhol-style painting of Daria, the popular 90’s MTV cartoon character, with rolls of toilet paper behind her. It was a symbol of protest against the status quo of societal consumerism.

Enthusiasm grows. People loved the statements the artists were sharing, and also the photos of them working. I am excited to see this project help us express our emotions and feelings in different ways and make them visual. I am enjoying the public response and present a new question to explore—is the artist essential? 

Sushmita Mazumdar taught herself to be a writer and book artist, writing stories from her childhood, after a 15-year career in advertising in India and the US. Encouraging everyone to share their stories of home, heritage, and migration through art, she opened Studio Pause in 2013, mixing community voices into her own work, allowing cross-cultural collaborations and dialogues to inform her creations.