Tag Archives: memories

A Memory, 2020

My best memory from 2020 isn’t necessarily my happiest. This year I felt no simple, one-note emotions. And so my best memory is one that encompasses the complexity of a harrowing year, glutted with loss. 

I returned to India at the end of December 2019 after a ten-year absence. On New Years Day I was in Chennai, after the drive from my family’s home in Pondicherry. I brought my three children along for this trip, now pre-teens and teenagers. They were toddlers on our last visit. 

Sunset in Pondicherry - Image taken by Author
Sunset in Pondicherry – Image taken by Author

As we drove from Pondy to Chennai, I devoured every scene of this country I’d missed for nearly a decade. The thatched huts, the overloaded lorries, a family standing in impossibly green grass, flanked by their taciturn cow. A woman posing for a selfie on the side of the road while balancing a great steel pot atop her head. Coconut groves, rice paddies, pilgrims wearing red saris that matched the blazing flowers on the nearby Poinciana trees. 

I went to the temple on New Year’s Day. Our driver guided us through a maze of people, thousands of them, a fact I can hardly contemplate now. That profusion of humanity is something I love and miss about India, and it’s one of the cruelest aspects of this pandemic—the inherent peril of India’s ubiquitous crowds. 

But at the beginning of this year, I could relish the throngs. What a different world it was.

Past the entrance of the temple, people waited in line to see the various deities. They pushed and complained, or fanned themselves with folded newspapers. Our driver presented an inscrutable, flimsy paper enabling us to advance in the queue. 

I stood at the front of the line, ready to receive my blessing, when an old woman, no higher than my elbow, strong-armed her way through the clot of people, shoving me aside. I let her pass. She was cracked and broken-earth old. And beautiful—in India such advanced age deserves reverence. 

In creative writing classes, instructors often advise us to “tell it slant”, a concept denoting the odd and intriguing detail that makes a story memorable. On this trip to India—my last real trip of 2020–the entire visit felt “slant”. From my uncle’s hilarious stories to the old woman at the temple, to the rickety stand on Marina beach selling dubious curry shrimp pizzas. 

Our prayers finished, I made my way back to my shoes, left outside the temple entrance. It had rained, and puddles collected on the uneven pavement, slimy on my bare feet. An old woman implored me to buy a garland of jasmine flowers. Another hawked damp, battered children’s books. 

As I exited the temple and approached our car, oblivious to what awaited us all just a few weeks away, I noticed a tiny, emaciated stray kitten, shivering as it crawled to one of the puddles. It lapped up the fresh rain. I wished I could hold the kitten in my hands. I doubt it survived more than a few more days.

But the image of that forlorn creature stays with me, slant indeed, and painful. In this year, so thick with loss and missing, I feel a kinship with that poor animal, stumbling forward, searching. When this is over I will have lost three semesters’ worth of connections with my students, along with the birthday parties, dinners, and the celebratory plans I had for my debut novel’s publication. 

And then, just weeks ago, the worst news of all. I lost my beloved uncle—the one I’d just visited in India for New Year’s. None of us could say goodbye to him. He could not even die in his hometown because the ICUs in Pondicherry were full. 

I often think the world provides me with poignant images that have little meaning for me in the present, but are planted in me to decipher later for some future lesson. And indeed, throughout this year my mind has returned to that kitten—now gone, I’m sure—because I feel so much like that creature these days. Stumbling forward, relentlessly aware of my fragility, but still grateful for whatever reprieve life offers. And sometimes, that reprieve is memory itself—of a time when life was easier and less freighted by loss. 

The pandemic will be over, and hopefully soon. I will return to India. My uncle will be gone, his flat in our family house empty, and I will be consoled instead by the palm trees and mangroves, frangipani flowers, bougainvillea, and other Pondicherry flora in which my Botanist uncle delighted.  And I will think back on that kitten, that New Year’s Day, when fragility belonged to something else, and not to me, or us.


Samantha Rajaram is the author of the novel THE COMPANY DAUGHTERS and lives in the Bay Area. 

Amma, is Thatha a Ghost?

Ever so often I’m caught off guard by a question posed by my child. It has the quality of a zap to my system – like that of a rusty car battery being jump started out of its cold slumber. This was one of those moments.

Coming off of a hectic few weeks spent witnessing my father-in-law’s slow and steady decline in general health, and his subsequent passing, had left us all dealing – or trying our best to deal – with a whiplash of emotions. The one thing we all agreed upon was that nothing ever prepares you for the absence of a loved one. So when confronted with this question, “Amma, is Thatha a ghost now?” my mind stuttered to a halt, while it tried to figure out how to formulate an answer. Sensing there was more to the question, I resorted to the time-honored trick of parenting, and answered her question with a question of my own. “What gave you that idea?” I asked her, trying to buy time. My 6 year old pointed to the wall where her Pati’s (grandmother) picture hung with a garland draped over its edge. “You said he is now with God, but I don’t see him there,” she responded.

A young child’s mind is inventive, curious and eternally imaginative, but they also take things literally. This was ample proof of that fact. She understood that when people die, their heart stops. This much was clear. She had been told that they are with God after this moment. And she almost always saw their pictures hanging on walls and home shrines – so she was sure they were with the Gods. Simple. Elementary. When she came to pay her last respects to her grandfather, I saw her pause, unprepared for the sight of her Thatha laid out  on a straw mat, as the priest did the needful. And I remember thinking how woefully inept the human condition is at dealing with death. Because despite having attended several final viewings and funerals, I was having a hard time of it myself.

Condolence messages came in a variety of flavors – “He had a full life… and a good death,” “At least he did not suffer,” “Oh he lived to a ripe old age…”.  There were the quiz style delivery of questions, designed to extract every little factoid and nugget of detail leading up to his last breath. Then there were those who offered comfort without uttering a single word – just by their presence alone. All of them were well intentioned.

For those like us, Non Resident Indians (NRIs), there is one phone call we dread receiving – that of a parent who is critically ill, or worse. The memory of one such call when my mother-in-law passed is still fresh in my mind. I kept reminding myself that we were fortunate to have had some time with my father-in-law during his final weeks. We were able to offer marginal comfort through our presence, and help in whatever little way we could. He enjoyed the antics of his grand daughter and great grandsons. I am sure that brought him joy. In this, we were truly blessed. 

The role of rituals: 

An individual’s passing does two things to those they leave behind. It renders them numb to most emotions. And it also leaves them with a void that seems impossible to fill. This is the juncture where rituals take center stage. In almost all the cultures of the world, death rituals are an important part of life. I suspect they have been devised to keep the living firmly rooted in the present. We began the rituals almost immediately under the guidance of the priest. And they lasted 13 days. Metaphysical facts and beliefs aside, they served the unquestioned purpose of bringing a family, and a community together. Most forgot their differences and joined us. Others were present on the fringes, but were nevertheless there. Death was indeed the ‘Great Leveler.’

Once the communal meal on the 13th day was done, our immediate family gathered to reminisce about the lives of two individuals who were deeply mourned. It was our own version of a memorial service. A family elder suggested we eulogize the parents who had given so much to see us all happy and content as we were today. And so we did just that. Remembered. Laughed. Cried. And most importantly – found strength in each other. To my mind, this was the single most cathartic ritual we experienced since that fateful Sunday morning when death came calling at our door. It was needed. It was welcomed. And we were all the better for having shared in its unified strength.

But once this was done, I was left searching for a way to help my child deal with her sense of the events. In her young life, she had interacted with her grandfather on her annual visits to India. Aside from this, their tenuous bond was established through gadgets; iPads, WhatsApp, FaceTime… and others of their ilk. There was no question that he was part of what she considered her family unit. And as such, she did feel his loss. Equating his suddenly empty home with the lack of his physical presence, she was trying to express her loss through her limited vocabulary. Her favorite question being ‘Why’?!  “Why did he have to die Amma?”, was followed by “Is he with Pati now?” And then came the one I knew was waiting its turn. “Will you die one day and leave me behind?” I must admit that one took my insides on a cringe-worthy roller coaster ride.

So I was back to the pressing question – how do I help my little girl deal with loss? Or is it better to shelter a child from such truths?

Talking helps:

Dr. Ujwala AgharkarChild Psychiatrist with Kaiser Permanente, Fremont –  cautions parents against shielding children from loss. “Sometimes adults, parents, do not want to talk about it, in the interest of protecting their children. Often it is because they have to internalize and come to terms with their own loss”, she says. She has found that while it is good to present a strong example in the face of grief, there is no need to appear stoic at all times. This is true especially of men. “It is normal, and totally acceptable to model vulnerability. Our kids should see and understand our soft spots! They will also understand that no matter what you go through, you will be there for them,” says Dr. Agharkar. Letting children know that you can handle things together, with mutual help and consideration is the best way to deal with such situations.

Having said this, Dr. Agharkar admits you cannot generalize dealing with grief. “With children, you have to take their individual mental development into consideration first and foremost. The quality of their relationship with their departed loved one is also important,” she states. Oftentimes,children can present behavioral problems when they are not able to deal with their emotions. Such problems vary from pretending nothing has happened, withdrawing from social contact, or emotional upheavals and defiance. While it is not possible to generalize, working through grief and loss is different with younger children. A child of six for example, has no abstract concept of a ‘soul.’ To them, this is not a tangible idea and they cannot visualize it. In the absence of a gravesite, younger children need more of a concrete physical form – like a picture on the wall or shrine – to help with their healing, in addition to talking them through their emotions. 

Just as rituals, religious or otherwise, help adults deal with death and grief, formulating a set of rituals with a younger child gives them something tangible to relate to.

The Memory Box:

Turning to the all-knowing Google Gods, I found a wonderful resource in my search for ideas on coming up with my own version of rituals to help my child. Titled “The Memory Box” – A book about grief, it is written by Joanna Rowland who is a kindergarten teacher and children’s book author. The book is beautifully illustrated by Thea Baker who is known internationally as a children’s illustrator.

The story line revolves around a little girl who loses her favorite red balloon while walking in a park, and this event reminds her that nothing can compare to the a recent loss of someone she loves. Detailing her sadness and emotions, she takes us through the many ways she tries to hold on to her memories by making a Memory Box, filling it with sand and sea shells from a favorite beach, pictures from trips, and collecting memories from family and friends to add to her own. In addition to helping her come to terms with her loss, it also helps her make peace with a fear that she might one day in the future, forget her loved one. The Memory Box gives her a tangible sense of holding on to her memories. And this helps her heal and grow.

My daughter has been keenly aware of the loss of her grandfather with the recent festival season. As a mark of respect to the departed, we refrained from celebrating Dussera and Diwali this year. It is our period of mourning. Instead, we started to work on our Memory Box. Naturally, she kept up an unending stream of questions as we began our project. But I gently introduced her to the idea that maybe we should consider her grandparents as ‘spirits‘ now. It is our memories that keep them alive in our hearts and minds. And since she still believes in Santa Claus and the Tooth Fairy,  maybe it is ok to let her associate the word ‘ghost‘ with the ones we see during Halloween.

At least until I have a better answer to her more esoteric questions about life and death.


 

Pavani Kaushik is a visual artist who loves a great book almost as much as planning her next painting. She received a BFA from the Academy of Art University, San Francisco. Her new avatar requires creative juggling with the pen and the brush.

First published in November 2018.