Indo-Canadian Musician, Raj Ramayya loves to be busy. When he’s not traveling the world performing at anime and game conventions for some of his hit soundtracks like Cowboy Bebop and Resident Evil, he is hard at work writing and producing music for some of the top anime and games in the world like Tower of God or perhaps just scoring award-winning culturally relevant documentaries about social justice and environmental issues with titles like Shadow of Dumont or Who Killed Gandhi?
Sometimes, Raj can be found remixing tracks with an Indian Electronic flare for classic artists such as Stephen Stills or at his studio in The San Francisco Bay area sipping pinot noir and cooking curries. Other times, when he’s not in the studio (which is rare) you can find Raj cooking spicy dishes with his mom in Saskatoon or sourcing chili peppers in South Asia, or drinking sake in Tokyo.
For Raj, music, food, drinks, and traveling make the world go round and his voice can literally be heard all over the world. As one of the most highly sought after session singers during his decades-long stint in Japan, Raj was the voice of John Lennon and featured on 200 spots on ads for everything from Pokemon, Astro Boy, Sapporo Beer, and Toyota.
This latest release entitled “Spicy Beats” pulls together classic acoustic rock-influenced melodies with electronic beats and a host of Indian instruments and singers all held together with funky baselines and recorded in studios, bedrooms, bathrooms, and bars in Chennai India, Tokyo, Japan, and San Francisco, California. Spicy Beats puts a unique twist on some incredibly catchy hooks. If you enjoy spicy music or would like to know what spicy music is, then tune in and get ready for Spicy Beats. Pre-order / Pre-save the album: https://smarturl.it/htr-raj-spicybeats
Ragas Live Festival has grown to become a vital element in the cultural landscape of New York City. Since its inception in 2012 when 50 musicians volunteered to create an FM-Broadcast at WKCR 89.9 FM-NY with the theme of “Community, Unity, and Harmony,” the festival has expanded to become a popular live event at locations including The Rubin Museum of Art and for the last few years, Pioneer Works. As the initial broadcast blossomed into an annual event, it attracted global attention, expanded the audience of Indian music, and documented and catalyzed what the New York Times would declare a “A Raga Renaissance Flowering in Brooklyn.” Now, Ragas Live has transformed that renaissance into one of the live music industry’s rare COVID-era success stories, managing to bring together over 90 musicians, from the deserts of Rajasthan to the mountains of Kathmandu, to perform remotely from 13 global cities in a celebration of ‘Community, Unity, and Harmony’.
There’ll be cutting edge cross-cultural performances: Terry Rileywill be performing raga based improvisations from Japan preceded by Brooklyn Raga Massive who will be premiering a 24 person performance of In D their homage to Riley. Amir ElSaffar will be collaborating with the Brooklyn Raga Massive as well with Raga Maqam a 14 piece ensemble that explores the intersections between maqam, the tonal language of Arab, Turkish, and Persian traditional music, and raga, the classical music of the Indian subcontinent. Andy Statman, the legend of klezmer and bluegrass will be exploring both Jewish doinas and ragas from the 200-year-old synagogue B’nai Jeshurun. Zakir Hussain will perform a tabla solo from San Francisco, Toumani Diabate will perform kora from Abidjan, Côte d’Ivoire, and Betsayda Machado y Parranda El Clavo will perform in El Clavo, Venezuela.
Founder and Executive Producer of Ragas Live Festival, David Ellenbogen says, “This has always been a festival with a pan-global vision. This year that dream is fully being realized. We’ll have artists and listeners from every continent. We reached out to many of our heroes and to our astonishment, they all said yes. These are the people that have changed the history of music. The artists felt a kinship with our idealistic vision and we are all working together to make it happen. We’ll have both artists and audiences all around the world: it will be 24 hours of global resonance.” Says the festival’s Artistic Director Arun Ramamurthy, “These legendary musicians are the torchbearers of their traditions who have brought their music forward. To have them all participating is so inspiring.” “I love Indian music, I love Indian culture, I’m doing this because I think it’s a beautiful idea and I want to share life and music,” says Toumani Diabate, the legendary Kora player, who will perform a set from Côte d’Ivoire.
The entire event will be available free on November 21-22nd from 7pm-7pm to all as a video livestream at www.pioneerworks.org/broadcast and on broadcast as audio on WKCR-FM 89.9 FM.
Late one night, I read Sadako’s Thousand Paper Cranes by Eleanor Coerr. The book is based on the true story of a little girl called Sadako who contracts Leukemia ten years after the bombs were dropped on Hiroshima and Nagasaki. My heart attached itself to the lively, petite, friendly, active Sadako. Her energy is infectious and it leaps out of the pages and wants to make you skip, as you navigate the stairs and walk to school.
Sadako was two years old when the atomic bomb was dropped in Hiroshima and Nagasaki. Ten years later, her body is wracked with the unmistakable signs of Leukemia, a disease her family knows as the ‘Atom-Bomb’ disease. Her friend gives her hope and says when she makes a thousand paper cranes, she will become better. Sadako’s older brother offers to hand the paper cranes for her and pretty soon, the soaring cranes of every hue and size adorn her hospital room.
According to the book, she is on her 644th crane when she dies, but her brother says she really made 1400 paper cranes and some of her paper cranes are still available for viewing as a message for peace. It is a poignant story, and just writing the summary brought back the details of a lively spirit forever taken from the world, and I was shaken.
Compellingly told, it is a light book with a heavy message. Oh! How heartless is warfare and why oh why did humanity have to develop nuclear weapons? I said aloud – a loud lament with silence as an answer.
In the world today, we still have roughly 18000 weapons, some of which are considered strategic weapons which means they can be launched into countries half a globe away. Most of these remaining weapons are much more powerful than the ones dropped over Hiroshima and Nagasaki in Japan 75 years ago. The number of nuclear weapons has come down considerably from 70000 weapons in 1985.
Humans still have with them, the power to destroy Earth and all its life-forms many times over. Even as the Earth is reeling from the Coronavirus attacks, the blasts in Lebanon are a chilling reminder of what is possible with the remaining arsenal of weapons in the world: nuclear or otherwise.
The value of science is similar – while it is hugely important for understanding our universe, there is also the troubling underbelly of Science using the same understanding with mal-intent or certainly unintended intent.
But did you know, said a small voice in my brain, paper cranes are a symbol of hope and peace in Japan? We can hope and have faith in our uncommon knack to find solutions even as we create more problems.
Saumya Balasubramanian writes regularly at nourishncherish.wordpress.com. Some of her articles have been published in the San Francisco Chronicle, The Hindu, and India Currents. She lives with her family in the Bay Area where she lilts along savoring the ability to find humor in everyday life and finding joy in the little things.
The 900 year old Sanjusangen-do Zen temple in Kyoto
Sanjusangen-do (Built in 1164 CE and reconstructed in 1266 after a fire broke out) is a Buddhist temple in Kyoto that’s guarded by around 1000- Armed Human sized statues of Kannon, the Japanese Goddess of compassion. 500 statues sit on either side of the main Deity of Sahasrabhuja-Arya-Avalokiteśvara.
The 1000 life size Kannons carved from wood, have 28 guardian deities in front, that are larger in size. These Guardian deities are of Indian origin and primarily Hindu Gods.
In ancient Japanese Buddhism, Hindu Deities are revered and given their place of respect in the Buddhist realm of deities. The Hindu deities are considered guardian Deities of the Buddhist concept of the ‘Clear Mind Buddha’, which according to them is the Buddha that is of prime importance. The physical Buddha is seen as holy and revered, but he is also seen as an example of human bondage and suffering in samsara. Like a normal human Buddha had to overcome his delusions and finally had to shed the body. The ‘Clear Mind Buddha’ who is pristine and pure in thought (Nirgun as the Hindus say) however, is the primordial state without beginning or end and is the state which all humans must aspire to achieve to get salvation from rebirth. One has to not get obsessed with the physical Buddha, as he is external to you, while the ‘Clear Mind Buddha’ is the object of possible achievement for all humans through meditation and practice of dharma. This realization which arises from within is considered more important than bondage to external objects, however revered or holy they are.
This ‘Clear Mind Buddha’ as the silent observer, is similar to the concept of the ‘Nirgun Bhraman or Paramatma’ in Hinduism, with all other Gods/Goddesses being considered its emanations with specific energies, which is very similar to the Shinto concepts of Kami. The beautiful Harmony with which the ancient Japanese monks have managed to fit all gods and deities from the parent stream of Hinduism into its brilliant offshoot Buddhism is remarkable. It is a brilliant testimony to their abilities and vast intelligence to bring harmony, accommodation, respect and deep understanding to the evolving spiritual streams, as well as merger of existing streams. After all there is only one truth and no one has the monopoly on it. This is something the ancient Japanese masters understood so well.
An achievement, one has to bow down to in deep respect.
Shintoism the original indigenous religion of Japan, Shinto teaches that everything in nature consists of a spiritual essence, or a spirit called a Kami. The Kami resides in all things. But there are certain designated places where the Kami interfaces more intensely with people. There are 8 million kami (not literally, but just a representation of many Kami that exist). The primary Kami is Amaterasu or the Goddess of the sun. Hence Japan is called the land of the rising sun. This is extremely similar to Hinduism where we are considered Suryavanshi (descendents of the sun). In Hinduism, the entire universe is considered an emanation of Paramatma; hence everything in it carries the spirit of the great creator. Lay people get confused that Hinduism has a million deities, and villagers are busy creating one every day. What an outsider does not see is that Hindus consider everything in nature as having a spirit that is derived from that one source to manifest. So having a million deities is the same as having one. Shintoism too is similar to that form and belief system in Hinduism. Ancestors are considered Kami too and just as we worship and follow the system of gotras (descendents of Rishis), they worship their ancestors.
In the next few frames , I shall post pictures of some of the critical Hindu “Guardian Deities “ that have been exhibited in the Great 120 meter hall, which is 900 years old. These Guardian deities stand on either side of the Avalokiteshwara Deity (The Buddhist God of compassion) and in front of the 1000 Kannons. The Hindu deities don’t resemble the Indian versions as there were conceptually transplanted about 900 years ago and are carved based on Japanese interpretations of Indian and Chinese Sutras.
The descriptions are brief and have been copied from the official booklet available at the Sanjusangen-do Centre. It is highly recommended for any visitor to Japan to visit this center and buy this book.
The original Sanskrit name of this deity is Narayna, also called Vishnu in India, the Hindu God of preservation of all creation. This God/statue is used in many ancient Buddhist temples of Japan at the gates where Narayan keeps his mouth open in conjunction with Vajra Pani (Shiva), who keeps his mouth closed. This according to them symbolizes that the deities swallow all evil and let only virtue pass into the temple through the gates. Another interpretation says they symbolize within lies all the secrets of the universe from beginning to end. The most amazing example of these Deities is at the entrance to the Todai-ji temple at Nara. Amazingly Nara has 7 prime temples (Much like the Tirupathy temple, where the Lord is considered the lord of the seven hills which represent the Adisesha or the serpent of Vishnu with 7 heads that is supposed to hold up creation).
The placement of Narayna (Vishnu) and Vajra Pani (Shiva) in the entrance to symbolize AUM is amazing. A (mouth opens to symbolize beginning of all creation from Brahma, who is born of Vishnu), and M (mouth shuts to symbolize the destroyer and therefore the end of existence) is Shiva, the God of death. The Japanese Buddhist integration with Hinduism is breath taking.
This deity has its origin in the God of water Varuna which later transformed into Thunder God as water was always associated with thunder. The iconography of this statue is based on Senju Darani-kyo’ Buddhist Sutra. As per the Rig Veda,Varuna is considered the counterpart of Mitra, Varuna rules the night and Mitra rules during the day.
Vasu in Hindu tradition can be interpreted in many ways. Vasudewa was the father of Krishna. Related to this name is an early Hindu belief system, sometimes called Bhagavatism that was largely formed by the 4th century BC. Vasudeva was worshiped as the supreme Deity in a strongly monotheistic format, where Vasudewa was considered the Supreme Being because he had the attributes of being perfect, eternal and full of grace.
Vasu could also mean God of all the elements in creation which is very similar to Japanese Shintoism wherein they recognize about 8 million Gods of various elements called Kami. Hinduism on the other hand recognizes eight primary elements and all else are its combinations. That is why Vasu is the god of the eight Gods or the various base elements.
If the Sanskrit translation were to be applied directly, it would mean The King of the snakes from the Nanda Dewi Mountain (The abode of Lord Shiva). In this carving at some point of time the snakes became dragons through Chinese influence and came to be in Japan, as Buddhism reached Japan via China and Tibet.
As introduced in the ancient Indian sacred texts Rig Veda,Vayu is the deity that pulls carriages through the air, defeating armies, bring fame, fortune. The design is completely based on Japanese interpretations of texts from Indian and Chinese sutras.
The Japanese translation means the deity with many eyes and a wider vision. Notice the third eye between the two eyes, and the weapon in the hand is the same as Shiva’s. In Hindu Tradition Virupaksha is a form of Shiva’s and there is indeed a Virupaksha temple in Hampi Karnataka with the same Sanskrit name as in Japan.
The original Sanskrit name of this deity is Garuda, In ancient India it was believed to be a giant bird that ate cobras and carried the Hindu deity Vishnu on its back. Later on it was adopted in Buddhism as a deity, and was included in the eight guardians of Buddhism. The statue represents a bird headed figure playing a flute while keeping time with the foot.
Maha Bala in Hindu scriptures translates directly to Durga Dewi, based on whom, many Bala mantras exist. Mawara-Nyo represents the indomitable spirit and the gentle feminine subtle energies of the universe, gentle yet decisive.
The original name for this deity is Sridewi, also called Laxmi, written in India as Lakshmi. She is born from the sea and is Vishnus (Narayana’s) wife. In Buddhism she is a daughter of the dragon King and Kishimojin (Hariti). As in Hinduism, in Buddhism too, she presides over prosperity
According to the ancient Indian writings in the Rig Veda, He is the most significant heroic deity. In Buddhism this deity is supposed to live in Kiken castle As the lord of the realm of Tory ten. He is considered to have helped Buddha in his novitiate years. In Hinduism Indra is the God of the lesser heavens where ordinary mortals reside for limited periods of time in their endless cycles of birth and death.
The very best for the last, This is where the Japanese place Hinduism and Buddhism in perfect equal footing. Literally as parallel similar universes with different tag names.
The Highest Hindu god and the creator of the universe is Maha Brahman. Since Maha Brahman was adopted into Japanese Buddhism, it is believed he is a guardian of Buddhism together with the Buddhist Deity Taishaku-ten. They both are equally tasked as partners with running the universe. According to the Japanese legend when Buddha reached self- realization, he was overwhelmed but was hesitant to preach to people. Maha Brahman advised him to start preaching in order to redeem ignorant people and their souls. It is for this reason the Japanese accord Maha Brahman an equal status to the Buddhist diety Taishaku-Ten.