A short film about abortion written by a San Jose resident and an Indian American is an exciting prospect. Choices, a film directed by Amir Jaffer, produced by Ajit Mukundan, and written and co-acted by Puneet, is taking on the socially relevant debate surrounding abortion. The short film is about two individuals who are steadfast in their views but are forced to reckon with changed circumstances requiring them to revisit their entrenched positions on being pro-life and pro-choice, respectively.
Though Roe v. Wade, a landmark 1973 Supreme Court case that ruled in favor of a woman’s choice to seek an abortion, felt like a positive resolution, the 50-year discourse on pro-life and pro-choice continues to be contentious. This year, 165 bills banning abortion were introduced in state legislatures. Every election cycle, hopeful candidates seek a platform built on the divisive issue in an attempt to pander to their demographic.
According to Jackie Dallas, the female lead of Choices, “Stances on abortion have become heavily politicized, with opponents citing religion or science without a true understanding of either. However, in actuality, an individual’s decision may not be based on fear of eternal damnation or a conscience against murder at all, but something as selfish as shame or deceit. This is a story that could be told by anyone, but I appreciated how it gave a voice to Asian-American representation, and by doing so, exposes a cultural taboo that is rarely discussed in such communities.”
I could not agree more! I was ready for the Indian American and, possibly, Hindu prerogative on the subject matter. A topic that is rarely discussed in Indian households would benefit from a film written from the lens of an Indian American in the Bay Area.
“As a Muslim, I believe in projecting the benevolence of the almighty towards all,” Altaf Khan (Puneet) preaches in the first scene of Choices during a book signing on his pro-life book.
Puneet, who does not identify as a Muslim, plays into the trope of Islamic tradition (western religion) and the discourse surrounding abortion. When Puneet was questioned about his decision-making process, he responded, “Altaf Khan could have been a conservative Christian person too…[He] can be modern and orthodox. [He] could have been anyone.”
The unique viewpoint which Puneet has to offer was overlooked for generic appeal. Religion is pivotal to the plot but cultural implications of abortion within the Islamic community are left unanswered. Much like his character, Altaf Khan, Puneet chose to pinpoint religion when it was expedient to do so.
What I knew began with good intent, seemed derailed by the many themes it ventured to address – religion, politics, career, marriage, infidelity, AND abortion. It took a bite out of the very extensive, nuanced dialogue and presented it to the viewer in 20 minutes.
And, perhaps, that bite was much too big. The film wasn’t able to do justice to any of the motifs and touched on each one in a superficial way.
Some elements of Choices that I did appreciate were: the interracial couple, the diverse cast in every scene, the directive to approach a heavy topic, and the willingness to underscore the hypocrisy of the male approach to the female body.
Ultimately, I wish this short film had offered more than what already existed in the media space but I do think it was worth the watch. More narratives on abortion are welcome and, potentially, the film can prove to be thought-provoking for South Asians once they see themselves represented on the screen.
For the trailer, pictures and details go to: https://www.pranapictures.com/movies/choices
Srishti Prabha is the Managing Editor at India Currents and has worked in low-income/affordable housing as an advocate for children, women, and people of color. She is passionate about diversifying spaces, preserving culture, and removing barriers to equity.