Posted inEVENTS, LOCAL SF IndieFest Recognizes Contemporary Asian Films: Feb 3 – 13, 2022 by Mona Shah February 4, 2022April 15, 2022
Posted inCOMMUNITY, CULTURE, FILM, YOUTH, zArticles The Kashmir Files: When a Movie Makes You Cry by Rohit Raina January 25, 2022April 15, 2022
Posted inCULTURE, FILM Maanaadu Flounders & Frustrates But Surprisingly Entertains by Anuj Chakrapani January 18, 2022April 15, 2022
Posted inCULTURE, FILM ’83’ Recreates the Euphoria Around India’s First Time Winning the Cricket World Cup by Monita Soni January 11, 2022April 15, 2022
Posted inCULTURE, FILM Geeta Malik Penetrates the Indian-American Psyche in ‘India Sweets and Spices’ by Monita Soni November 16, 2021April 15, 2022
Posted inCULTURE, FILM, PROFILES Spotlight: Vijay Sethupathi in ‘Seethakaathi’ by Anuj Chakrapani November 2, 2021April 15, 2022
Posted inEVENTS, LOCAL South Asian Film Festival Works Towards Inclusive Representation by Mona Shah November 1, 2021April 15, 2022
Posted inzArticles Shershaah: Vishnuvardhan Tells IC About the True Story Brought to Cinematic Life by Monita Soni October 5, 2021April 15, 2022
Posted inCULTURE, FILM Unmothered: Debts Parents Leave, Even in Death by Reena Kapoor September 27, 2021April 15, 2022
Posted inFILM 500 Female-Led Movies to Be Showcased at 2021 Kalakari Film Festival by Priya Yadav September 24, 2021April 15, 2022
Posted inCULTURE, FILM IC’s Exclusive Interview With Lara Dutta On Her New Film ‘Bell Bottom’ by Monita Soni September 21, 2021April 15, 2022
Posted inCULTURE, FILM Toofan: Farhan Akhtar is a Winner, But the Film is Not by Monita Soni August 31, 2021April 15, 2022
