Tag Archives: #bookboost

Thaathwik Arsha Abhilash with this book 'Dragon Summer: A Magical Journey of a Boy and his Dragon Friend'

A Magical Pandemic Journey of a 10-Year-Old Indian American Author

A child’s creativity has no bounds and holidays are the perfect time to explore their inquisitiveness. Once their imagination attains wings, it’s a magical world that transcends limits and expectations. For Indian American Thaathwik Arsha Abhilash from Brookfield, Wisconsin, Summer 2020 was that moment. When his third-grade teacher Mrs. Heitman came to school at the end of the academic year with summer treats, she fostered the idea of writing a story during the vacation.

Little did she know that the seeds of a budding author were sowed. And a year later, the book Dragon Summer: A Magical Journey of a Boy and his Dragon Friend got published and a ten-year-old author was born.

“I always loved writing and when my teacher suggested that I write a fiction story about what I would like to do during summer, I was really excited. As I love magic and flying creatures, my immediate choice for protagonists were dragons,” said Thaathwik Arsha Abhilash, a fourth-grader from Burleigh Elementary School.

Thaathwik Arsha Abhilash with family.
Thaathwik Arsha Abhilash with his family.

Started off as a short story with two chapters, his parents, Arsha and Abhilash, encouraged him to explore further and continue writing. “When he approached us with the first two chapters, we really liked the beginning and were curious to know how he would take it along. With pandemic and online sessions, we were in search of options to reduce the screen time and thought of giving this as a challenge and promised to publish the transcript once the story is completed. Just a single printed copy from a nearby shop was our plan and we never thought this would pan out to this extent,” beamed the mother, Arsha Abhilash with pride. 

The 30 chapter book boasts of fantasy entwined with magic and creativity. Travel through portals, dragon kingdoms, magic potions, unique names, and fancy passwords; it has everything that a kid desires. Not just wishful thinking, one can also witness the keen interest of the author towards science and nature through his writing. Annotations on different elements of nature, scientific explanations on birds and correlating them with flying dragons, it’s a story that goes beyond illusion and even educates the young readers. 

“Once the book was finished we as parents were indeed surprised but wanted to confirm its reach and potential before moving forward. We approached published authors and dear friends, Richard and K V Manikandan for a review and their feedback was endearing. They entrusted the thought that this book truly addresses the fervor and curiosity of a kid, written by a kid himself, which is actually a rarity to find. Hence, we landed upon the decision to publish it, considering it would also be an inspiration for more kids to come forward with their creations,” added Arsha, who herself is a blog writer and has a few published pieces in the Malayalam language to her credit. 

Teachers from his school district, Elmbrook School District backed the first-time author in the process with his favorite second-grade teacher, Mrs. Indestad, and current fourth-grade teacher, Mrs. Erica Phillips writing the foreword and blurb for the book, respectively. The book is now available to order through Amazon for US readers and is published by Pithal Books in India. 

Not just in the writing process, Thaathwik also played an integral role in the illustration of the book. Being an artist himself, he had a fair perception of how the book should appear. Initially, he drew corresponding pictures for the first ten chapters but later, apprehending the time it consumed, he concentrated on finishing the book at the earliest. Eventually, a family friend and animator from India, Animesh Xavier came to their rescue and conceptualized the beautiful pictures for the book.

The book has so far received rave reviews from kids across the world with many of them posting online reviews and having lively discussions on the storyline with the author himself. However, for Thaathwik, who aspires to be an ornithologist cum writer, this is just a start and has already laid out plans for his upcoming book. “I have started writing for my second book named Apocalypse – an adventure of four friends with monsters. Am aiming for a series without limiting the story to a single book,” concluded the aspiring writer, who believes that one should always let their thoughts flow and never hold them back for any reason. 


Suchithra Pillai comes with over 15 years of experience in the field of journalism, exploring and writing about people, issues, and community stories for many leading media publications in India and the United States.


 

Book covers for: The Bombay Prince and The Satapur Moonstone

Historical Mysteries of 1921 in India Resonate a Century Later

Oxford-educated Perveen Mistry, Bombay’s first female solicitor, is a clever, spirited young woman working for her father’s respected law firm in 1921 Bombay. Unable to fully practice because a woman can’t earn a law degree, her father relies on her exacting skills with contract law and her nimble mind for additional legal assistance. Introduced to readers in Sujata Massey’s 2015 novella, Outnumbered at Oxford, then launched in The Widows of Malabar Hill (Book 1) of the author’s Mystery of 1920s India series, the success of the second and third installments shows no sign of Perveen’s career being dismissed.

October 1921. Despite being supportive of Gandhi, Perveen accepts a one-time case on behalf of the Kohlapur Agency and the British government in The Satapur Moonstone (Book 2). Like her interaction with the widows in Book 1, the Agency’s clients live in purdah and cannot speak to male outsiders. Her task is to hear both sides of a contentious debate between two maharanis—the dowager and the mother of the 10-year-old crown prince—and make a recommendation for the prince’s education.

The catch is, however, she must travel to the princely state of Satapur in the isolated Sahyadri mountains where transportation is by palanquin or horseback. Upon arrival at her lodgings, the circuit house, she meets Colin Sandringham, the political agent overseeing the area. Quickly, Perveen feels uncomfortable. Sandringham is a bachelor who recalls meeting her one evening at Oxford; she is the only woman at the circuit house; and the environment is breathtaking but treacherous even in daylight. In turn, unnerving details come to light as she undertakes her assignment. She learns the crown prince’s father and older brother recently died; the palace teems with backstabbing personalities; and the royal children are at risk. Consequently, Perveen finds herself trapped in a deadly royal situation and unable to keep from falling for Sandringham against her better judgment.

November 1921. Perveen finds herself caught in an explosive political situation at home in newly-published Book 3, The Bombay Prince. Anti-British sentiments are in the air, and Edward, Prince of Wales, is set to arrive in Bombay. Days before, college student Freny Cuttingmaster asks Perveen for guidance on behalf of an activist group: Would there be consequences for being absent from school in protest on the day of Edward’s arrival? For the parade, Perveen joins her best friend Alice, an instructor at the college, in the school’s viewing area. Following a disruptive protest by another student, Freny’s body is discovered on the college grounds. The supposition is that she had fallen and suffered injuries similar to an incident 30 years prior at another school.

Because Freny sought her counsel, Perveen vows to untangle the reason for Freny’s death. But without eyewitnesses, Perveen faces major hurdles. Her father restricts her movements by booking them in the Taj Hotel because of the increasing violence. There, she is stunned to encounter Colin Sandringham, who is accompanying Edward on his tour. Meanwhile, police are uncooperative, the press is relentless, and the arrested protester’s lawyer is incompetent. Nevertheless, Perveen forges ahead with her own investigation, questioning everyone’s motives, and becoming a target herself.

Author, Sujata Massey (Image from her website)
Author, Sujata Massey (Image from her website)

In all three books, Massey brilliantly sets up challenges, tension, and danger mixed with reasonable doubt about many characters and their possible motives. Those reasonable doubts are the products of Perveen’s questioning mind and focused labor to fit puzzle pieces together. Without modern investigative methods, equipment, or resources, Massey makes certain her legal sleuth remains firmly within all the boundaries of the 1920s.

Around the mysteries, Massey gracefully weaves India’s diverse cultures, religions, and societal expectations into the novels. She recreates 1920s Bombay with precise attention to detail, drawing out the tantalizing smell of foods, the vibrant colors of clothing, the friction caused by political beliefs, the strict Parsi matrimonial laws, the warmth and loyalty between family and friends, the textures and architecture of the city, the lushness of the mountainous jungle in The Satapur Moonstone, and the Parsi funeral customs in Bombay Prince. Massey’s awareness of time, place, and community results in Bombay a century ago so vividly that the reader is effortlessly transported.

It is Perveen herself that makes this series such delightful reading. She is rendered with great humanness as a caring, generous role model. Occasionally outspoken, she knows when to reveal her anger or maintain the decorum expected of her.

“Two of India’s early women lawyers, barrister Mithan Tata Lam and solicitor Cornelia Sorabji, were inspirational for my research,” Massey told me. “Both of them fought for the physical safety and property rights of women. Cornelia went through the jungle to meet female clients who lived in seclusion at palaces and similar locations. Mithan was the guiding force in rewriting the punitive divorce law for Parsi people, but it wasn’t accomplished until 1936.”

Massey is writing Book 4 now, about which she revealed, “I’ve explored British-Indian political themes in Books 2 and 3, and Book 4 is very strongly a woman’s rights themed book.”

Although women still face many struggles in 2021, it was a century’s worth more difficult in 1921. For Perveen, she endures immeasurable pressure as an upper-class Parsi woman who is separated from an abusive husband and who is Bombay’s only female lawyer. Perveen is an early 20th-century champion of truth and justice, women’s rights, and equality. In this way, she easily translates to today.

For mystery devotees, this series is unlike any other. For historical fiction aficionados, the author provides a rich representation of the world in which Perveen lives and works. Bombay in the 1920s, the Parsi community, and the recurring and familiar lovable characters all combine to give the reader a complete and enduring experience.


 Jeanne E. Fredriksen splits her time between homes in both Carolinas and is a long-time contributor to India Currents, a Books for Youth reviewer for Booklist magazine/American Library Association, and a member of WCPE-FM The Classical Station’s Music Education Fund committee.