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India Currents gave me a voice in days I was very lost. Having my articles selected for publishing was very validating – Shailaja Dixit, Executive Director, Narika, Fremont
Stories of plight, of unrequited love, of untold history are the threads that stitch the seams of our ever-expanding world. These are the narratives that empower us to learn and to empathize with small tales of astronomical weight.
This has become Paras Borgohain’s mission: storytelling of impact. As a filmmaker straddling industry in both America and India, his unconventional life path has given him the power to bring these narratives to the screen. He aims to bridge the gap between everyday people and important stories from around the world.
Borgohain began his academic career at the University of Delhi, where he studied English Language and Literature. Early in his life, he began to see the importance of telling stories and bringing many of these narratives out of the shadows for public consumption.
“I needed to find a point of entry into the industry,” he said, speaking of the time of tumult towards the end of his education. Following Delhi University and a graduate diploma in Communication from Mumbai, Paras found himself at a production company that exclusively worked on daily Indian soap series.
“It was not something I wanted to work with because I hated watching them as a kid,” he said. While it was a grind for him, he knew that it would be the best way to network into the industry. It taught him about working under pressure. He recounted staying up late into the night, coming up with storylines that would be filmed at 7am the next morning. But still, the industry was stagnant, the plotlines of mothers-in-law and revenge were often hard to identify with as a young person.
Borgohain’s thirst for mission driven work brought him to Galli Galli Sim Sim, India’s Sesame Street. Collaborating with in-house educational researchers breathed life into his career. He was finally doing something that mattered to him: shaping the development of the next generation of Indian children.
Galli Galli Sim Sim was a safe space for the production group. People on the team got married – that’s the kind of family the show was.
“Writing for children isn’t what I thought I’d be doing in terms of my artistic goals,” he said. He wanted to write about things that mattered to him, metafictional narratives and stories about minority groups, topics too heavy for a children’s television show. Due to this, Borgohain took up several freelance projects over the next few years. He worked on community radio shows for UNICEF, for pockets of the world that didn’t have access to television. He assisted with the screenplay writing for Turner Broadcasting. He helped contribute to a National Geographic documentary about how the 1980s changed India. Through these projects, he learned about the issue spaces he cared deeply for, but he realized he needed to stop doing commission work.
“I was afraid that I would lose my individual voice,” he said.
This was the tipping point for him. He decided he needed to write his own feature film, “Deepest, Darkest or How Not to Lie.”
The story begins with a gay man who dies mysteriously. He writes a letter to his friend, a PR professional, and she is tasked with figuring out what happened to him. She explores his life and must come to terms with their mirrored experiences with unrequited love and suppression. She must find out what lead him to believe that life was hopeless.
The story, about loss, acceptance, and identity, had huge success, winning the Bluecat Roshan Award for best Indian screenplay in 2016. Paras finally had a way into the industry, telling stories close to his heart of the struggles of LGBTQ+ communities in India. This was the type of storytelling he always dreamed he would be known for.
Soon after, Borgohain enrolled in UCLA’s professional program at their film school. Here, he sharpened the core of what he wanted to write about.
“Do your words on the page do your thoughts justice?” He always found himself asking himself about the authenticity of his words.
Today, he is working on fleshing out projects that he began at UCLA. He’s working on a project about Assam from the 70s to 90s, taking a historical lens that has rarely come to the mainstream media. He is in pre-production for a film about the decriminalization of homosexuality in India, called “The Crash of ’14,” which was his final project during his professional education.
The project closest to his heart is one about an LGTBQ+ activist and author from the 90’s named Stan Leventhal. Back in 2013, Borgohain had written a blog post about how much Leventhal’s writing had moved him, with its lucid and unique voice about the AIDS epidemic. With serendipitous help from the internet, he managed to get in touch with the late Leventhal’s family, who gave him permission to turn his book into a movie.
Paras looks back at his career with gratitude.
“It’s taken me 14 years to get from working on soaps to something I give a damn about.”
His advice for aspiring Indian American filmmakers is simple: be open and resilient.
“If you want to break into a tough industry like entertainment, you have to be thick skinned,” he said. It took him several failures and jobs to get to where he is today.
But above everything, he says to trust your internal creative compass.
“What’s going on inside you as an artist, what your personal experiences are, that’s your next creative masterpiece.”
Swathi is a junior at Duke University studying Public Policy and Computer Science. She hopes to continue to learn through the lens of her Indian-American heritage.