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Raised in a small town in Maine, born to immigrant parents, it has indeed been a long journey in filmmaking for the Indian American writer and director, Mahesh Pailoor.

Having studied filmmaking at NYU’s Tisch School of the Arts and later honing the skills from various film schools, Mahesh did his first short film, Little India in 2001. It premiered at SXSW and screened at different film festivals around the world. He has also directed award-winning documentaries, commercials, and branded content.

He moved onto, Brahmin Bulls in 2013 that garnered him many accolades, which had a notable cast including Sendhil Ramamurthy, Roshan Seth, and Academy Award Winner Mary Steenburgen. The film won the Audience Award at the San Diego Film Festival, the Jury Prize for Best American Indie at the Sonoma International Film Festival, and was released theatrically in the US and the UK.

On May 1st, 2020, he made his episodic television directing debut with NBC’s The Blacklist.

“I always wanted to be known as a visual storyteller, creating as many unique stories as I can. It has been a long journey so far and the goal was always to break into TV, meeting and networking with acclaimed directors. This Emerging Director program opened up a new universe for me and I would love to venture more in this space. Hopefully, this opportunity will pave for others,” opined the director.

Mahesh was chosen from 500 applicants for the NBC’s Emerging Director program, the network’s annual initiative for ethnically diverse male and gender non-binary directors. 

Celebrating its 10 year anniversary, the program aims to increase representation among scripted series directors. It took Mahesh years of hard work, perseverance, and rejections before this golden opportunity knocked at his doorstep. 

“I have been eyeing on this program for a while and had even applied once long back but did not get through. Though many networks offer such programs, the one offered by NBC is one of the best amongst them mainly because they offer lots of support, opportunity to shadow the directors, and then guarantee an episodic directing credit. The entire process involved the submission of my work and different levels of interviews. Once selected, my work was then sent to its different shows for the various teams to review. I was lucky enough to be chosen by the episodic directors of The Blacklist to shadow them,” said Mahesh Pailoor.

The Blacklist — “Brothers” Episode 718 (Photo by: Virginia Sherwood/NBC)

Lauding the team, Mahesh claims the experience on The Blacklist set in New York as invaluable, which helped him learn more about the nuances of television direction. “The shadowing experience was really amazing, especially to work with such experienced directors. Right from being on set, pre-production to post-production, it was great to have the first-hand experience. I got to work with them twice before embarking on my own directorial debut,” he said. “Once the crew knew me, they were really supportive as I ventured into directing. They were very cordial and rooted for me, which was the best part. The entire period with the team was phenomenal. To be a small part of this incredible series that has been running for seven seasons with remarkable characters, was an enriching experience,” added Mahesh.

Fascinated by his father’s video camera, Mahesh was attracted to the craft of storytelling at a very young age of 12. The captivating power of visuals made him realize its potency in communication and connecting with the minds of people. “The great stories around and the visual medium always inspired me.

Growing up, I realized the need for having more stories that I could relate to and which later steered my path into filmmaking,” recollected the director. Speaking further on how the representation of Indian Americans in Hollywood and American TV space has been evolving, he added, “Earlier, we could not relate to any characters on screen and the representation was very less. But things have changed over the last 3-5 years with more Indian Americans not just behind the camera but also in front of the camera. Even programs like NBC’s Emerging Director makes it more welcoming for all. Changes are evolving but still, there is a long way to go.”

Aiming at the television space for his immediate future plans, Mahesh is currently looking out to venture further into episodic direction. He is also co-writing a dramatic feature, an immigrant love story based on true events, which he also plans to direct with half setting in India and rest in the US.

Foreseeing a remarkable era for creativity and cinema, Mahesh concluded, “This is a golden time with so many digital platforms evolving, we get to watch such amazing content, accessible to all from anywhere around the world. The geographical barriers are disappearing and with the advancement of technology, anyone interested can now make a movie even with their iPhone and broadcast it. My advice to upcoming filmmakers is to grab this promising phase. Don’t wait for someone to say yes. If you have an amazing idea to share, then just do it. There is no need for a big crew or equipment, you can make something with friends. The goal should be to passionately follow your dreams and you will definitely find your way.”

Suchithra Pillai comes with over a decade’s experience in the field of journalism, exploring and writing about people, issues, and community stories for many leading publications in India and the United States. In her spare time, you would either find her scribbling down some thoughts in the paper trying to find a rhyme or story out of small things or expressing her love for dance on stage.

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