Sharanjeet who’s now based in B.C. has mastered raga, an improvised melodic formula that’s foundational to Indian classic musical. He’s staging ‘The Raga Experience’ this week as part of a suite of concerts featuring B.C. musicians in the lead-up to the Juno Awards on March 24. “This instrument, this music is 5,000 years old,” he said. “It has a legacy and through that we express ourselves.”
He was 15 when he started playing the sitar — a decade behind when many instrumental virtuosos get their start. The day he first played, it was early morning and Mand sat outside cross-legged. “You’re in a very spiritual kind of posture,” he said. “As soon as I held my sitar, the entire perception of the world sort of changed.”
Kids can lose the novelty of an instrument over time, he said, whereas he relished in experimentation and freewheeling performance.
Mand’s parents weren’t pleased. He practised in ten-hour stretches — a feat given the contortion required to play — sapping his energy from school work. “They all saw me as a budding scientist,” he said. “My relatives and neighbours were saying, ‘Look what your son is doing. Stop him. It was difficult.'”
Straddling two forms
Mand’s passion intensified and he soon won his parents’ support. At age 16, he staged his first performance at a Mother Theresa homage concert in India. He became one of the first Indian musicians to teach western classical music at an Indian institute. “Sometimes it’s a conflict between two forms,” he said. “My aim is to actually mix them and find something that does justice to both, without compromising anything.”
As Vois Creatives says; ‘’This is a key time to participate, gather and show solidarity, take a leap of faith towards cultural congruency with & for fellow artists, leaders & as a cultural collective for the social and economic creative growth.’’
To listen to him: http://www.cbc.ca/listen/shows/north-by-northwest/episode/15526525