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From Indian engineer to international filmmaker, Aditya Patwardhan is making a mark in Hollywood and we need to keep an eye out for him. Aditya is rare – his filmmaking combines aspects of engineering, music, cinematography, and multilingualism. 

Relocating from India to LA to pursue his passion, Patwardhan has worked on a multitude of projects, from documentaries to series pilots and shorts; some of his works included Kiski Kahani (music director), Red House by the Crossroads (director), Red Souls (director) and are in international markets including in the US, India, Baltic and Eastern European countries, and South America. 

Though it may seem that the skills between the two careers are non transferable, the Indian diaspora might disagree. Indian culture is entrenched in the arts and it can be traced back to one of the first comprehensive books on performing arts, Natya Shastra (NS), written in 200 BCE by Bharat Muni. Far beyond the theatrics, the NS is ingrained in almost every aspect of Indian society. It has influenced Indian sculpture, architecture, painting, poetry, day-to-day normal conversation, forming the connection between Indian mathematics and music. So when Aditya felt drawn towards filmmaking, it wasn’t anything out of the ordinary. 

Aditya confesses that switching from engineering to films was borne out of a natural subconscious process. It was during his time as an undergraduate in engineering college that he created a few ‘zero-budget’ musical videos, with his friend and music composer, Hiren Pandya. 

He took a bite into filmmaking and liked the taste. 

Graduating from engineering college, Aditya knew his calling but the path wasn’t linear. 

Aditya got a big break in 2013 during the Vidhan Sabha (state legislature) elections in the Indian state of Rajasthan. He worked in the IT and social media department of the Bharatiya Janata Party (BJP). His group ran a very successful social media campaign and the BJP won in a landslide. From IT to social media, Aditya began deviating from the standard.

It was during his time working in Social Media Management that Aditya came into contact with a musician and composer, Gaurav Bhatt. Gaurav, a Jaipur-based musician who had trained in the famous Bhatt Gharan, had composed a few Hindi songs and was looking for someone to help popularize them on YouTube. The two collaborated and created a music video. Grainy images shifting through a dreamlike narrative, overlaid with the poignant Indian classical fusion melody of Garauv Bhatt created magic; it received considerable attention and was featured in local newspapers and TV, including The Rajasthan Patrika and The Times of India

 “The success I received in these low-cost music videos gave me the confidence to enter into filmmaking professionally,” Aditya fondly recounts.

Newfound success and a heavy dose of determination brought Aditya to Hollywood. Eager to learn the tricks of the trade, he enrolled in the Masters in Film and Media Production program in the Los Angeles branch of the New York Film Academy. His thesis – ‘Red House by the Crossroads’ – a film about a Jewish family in 1970s Poland who were facing the backlash of the Nazi era occupation – culminated in a showcase at the prestigious Cannes Film Festival.  

Aditya hasn’t looked back since.

He is versatile and diverse, much like the background he comes from. His documentary ‘Eastern Shores of the Western World’ explores “cultural, linguistic, and genetic similarities between India and Eastern Europe.” And in the same breath, he has made films with social and environmental causes. In his soon to be released ‘Rivers: The Upstream Story’, he takes on the issue of river-water depletion through a civilizational lens. 

Filmmakers, like Patwardhan, with a voice and cultural competence are filling the gaps in global cinema. Aditya Patwardhan is slowly becoming a household name, as he continues his journey of Eastern dreams on Western shores. 

Afters spending several years in IT, Avatans Kumar now works as a Columnist and PR professional.  Avatans frequently writes on the topics of Indic Knowledge Tradition, Language, Culture, and Current Affairs in several media outlets.

Edited by Assistant Editor, Srishti Prabha.

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