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Making The Mosaic – A column that dips into the disparate, diverse palette of our communities to paint inclusively on the vast canvas of the Bay Area by utilizing Heritage Arts. 

In 2016, Mosaic Silicon Valley commissioned their first two artists – Indian folk dance artist Srividya Eashwar and Mexican Folklorico artist Arturo Magana – to come up with two minutes of an informed, performative collaboration between their cultures. The mission was to bring their audiences together, to build a connected community – as diverse in the audience as on stage.

Srividya, artistic director of Xpressions Dance first encountered Arturo’s team rehearsing in their studio shouting out the “agrito” and stomping their feet to an infectious rhythm. She recollects, “I looked at my dancers and saw the concerned look on their faces as they feared about how they were ever going to dance barefoot next to a group that dances in shoes with nails in them?

But, “as soon as we started working together, we found that common thread,” says Arturo Magana, artistic director of Ensamble Folclórico Colibrí. It was fascinating to see how the two teased out a common rhythm – Srividya kept up the beat with her dandiya sticks to Arturo’s percussive feet.

Weeks later, I remember the thunder of dancing feet and the loud music as I approached the rehearsal space, feeling nervous about finding a stage that could accommodate these two large cultures. I was humbled by the enormity of the experience. Something real was taking shape from an idea born out of an instinct to stem the miasma of divisive forces spreading throughout the U.S. in 2016. “RaasLorico” was part of Mosaic America, an event that drew hundreds in Marin and Santa Clara counties. 

The idea behind bringing different arts together is simple: It is to build a sense of Belonging. While all of us appreciate the diversity in Silicon Valley, we all lead segregated lives, not everybody is included in the same way. Economic opportunity has made us impervious to history, the pursuit of building a better home has blinded us to historic struggles that literally handed us that opportunity on a platter.

We see attractive buildings but don’t understand that they are built on Native ground; we see the reticence of Japanese-origin Americans but may not understand that some have been marked by internment; we see successful brown farmers but do not realize that they are “Mexican Hindus.” Each of us belongs to our own tile but we need to now build a Mosaic from our tiles that affirms each identity while confirming each of us as Americans.

An effective way to pave the path is via the Arts, using culture as a way to organically commune with one another and build familiarity and friendship. Mosaic Silicon Valley, which I Co-Founded with the help of Usha Srinivasan, purposefully and deliberately chooses cultures, representative artists, and venues. The audience and artists are hyperlocal. The lineup for a museum might be influenced by the exhibits on display. A commissioned work is typically a deep-dive into local history. Each event is a work in progress, a dialogue in the ongoing conversation towards belonging.

So how did Srividya and Arturo converse through their dances? Watch below!

Have you any cultural experiences you would like to share? Please write in!


Priya Das is a writer, dancer, and co-founder of Mosaic Silicon Valley. She is fascinated by the intersections between history, culture, convention, traditions, and time.

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